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If one looks with a cold eye at the mess man has made of history, it is difficult to avoid the conclusion that he has been afflicted by some built-in… - Arthur Koestler
" "If one looks with a cold eye at the mess man has made of history, it is difficult to avoid the conclusion that he has been afflicted by some built-in mental disorder which drives him towards self-destruction.
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About Arthur Koestler
Arthur Koestler CBE (UK: /ˈkɜːstlər/, US: /ˈkɛst-/; German: [ˈkœstlɐ]; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest, and apart from his early school years, was educated in Austria. In 1931, Koestler joined the Communist Party of Germany, but he resigned in 1938 after becoming disillusioned with Stalinism. Having moved to Britain in 1940, he published his novel Darkness at Noon, an anti-totalitarian work that gained him international fame. Over the next 43 years, Koestler espoused many political causes and wrote novels, memoirs, biographies, and numerous essays. In 1949, Koestler began secretly working with a British Cold War anti-communist propaganda department known as the Information Research Department (IRD), which would republish and distribute many of his works, and also fund his activities. In 1968, he was awarded the Sonning Prize "for [his] outstanding contribution to European culture". In 1972, he was made a Commander of the Order of the British Empire (CBE). In 1976, he was diagnosed with Parkinson's disease and in 1979 with terminal leukaemia. On 1 March 1983, Koestler and his wife Cynthia died of suicide together at their London home by swallowing lethal quantities of barbiturate-based Tuinal capsules.
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Native Name:
Kösztler Artúr
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Additional quotes by Arthur Koestler
Indeed, the ideal for a well-functioning democratic state is like the ideal for a gentleman's well-cut suit — it is not noticed. For the common people of Britain, Gestapo and concentration camps have approximately the same degree of reality as the monster of Loch Ness. Atrocity propaganda is helpless against this healthy lack of imagination.
Einstein's space is no closer to reality than Van Gogh's sky. The glory of science is not in a truth more absolute than the truth of Bach or Tolstoy, but in the act of creation itself. The scientist's discoveries impose his own order on chaos, as the composer or painter imposes his; an order that always refers to limited aspects of reality, and is based on the observer's frame of reference, which differs from period to period as a Rembrant nude differs from a nude by Manet.
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Oh, they had an explanation ready for every occasion, from the extension of capital punishment to the twelve-year-old to the abolition of the Soviet workers’ right to strike and to the one-party-election-system; they called it ‘revolutionary dialectics’ and reminded one of those conjurers on the stage who can produce an egg from every pocket of their frockcoats and even out of the harmless onlooker’s nose. They explained everything so well that, during a committee meeting, old Heinrich Mann, at one time a great ‘sympathiser,’ shouted to Dahlem, leader of the German Communists: ‘If you go on asking me to realise that this table here is a fishpond, then I am afraid my dialectical capacities are at an end.’
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