Too many crucial things about this country turn out to be highly recommended because they are 'invisible'. There is the 'hidden hand' of the free mar… - Christopher Hitchens

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Too many crucial things about this country turn out to be highly recommended because they are 'invisible'. There is the 'hidden hand' of the free market, the 'unwritten' Constitution, the 'invisible earnings' of the financial service sector, the 'magic' of monarchy and the 'mystery' of the Church and its claim to the interpretation of revealed truth. When we do get as far as the visible or the palpable, too much of it is deemed secret. How right it is that senior ministers, having kissed hands with the monarch, are sworn to the cult of secrecy by 'The Privy Council Oath'. How right it is that our major foreign alliance - the 'special relationship' with the United States - is codified by no known treaty and regulated by no known Parliamentary instrument.

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About Christopher Hitchens

Christopher Eric Hitchens (13 April 1949 – 15 December 2011) was an-English-American journalist and writer. He contributed to the New Statesman, The Nation, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, and Vanity Fair. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays, on a range of subjects, including politics, literature, and religion. A staple of talk shows and lecture circuits, his confrontational style of debate made him both a lauded and controversial figure and public intellectual.

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Also Known As

Birth Name: Christopher Eric Hitchens
Also Known As: Hitch
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Additional quotes by Christopher Hitchens

As a terrified, half-aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be "me." (Bear this in mind, in case of any later rumors or fabrications.)

Gore Vidal, for instance, once languidly told me that one should never miss a chance either to have sex or to appear on television. My efforts to live up to this maxim have mainly resulted in my passing many unglamorous hours on off-peak cable TV. It was actually Vidal's great foe William F. Buckley who launched my part-time television career, by inviting me on to Firing Line when I was still quite young, and giving me one of the American Right's less towering intellects as my foil. The response to the show made my day, and then my week. Yet almost every time I go to a TV studio, I feel faintly guilty. This is pre-eminently the 'soft' world of dream and illusion and 'perception': it has only a surrogate relationship to the 'hard' world of printed words and written-down concepts to which I've tried to dedicate my life, and that surrogate relationship, while it, too, may be 'verbal,' consists of being glib rather than fluent, fast rather than quick, sharp rather than pointed. It means reveling in the fact that I have a meretricious, want-it-both-ways side. My only excuse is to say that at least I do not pretend that this is not so.

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...those who view the history of North America as a narrative of genocide and slavery are, it seems to me, hopelessly stuck on this reactionary position. They can think of the Western expansion of the United States only in terms of plague blankets, bootleg booze and dead buffalo, never in terms of the medicine chest, the wheel and the railway.

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