In each case an error as to the true nature and meaning of life reacts on that life itself and produces not indeed a reality corresponding to the err… - R. G. Collingwood
" "In each case an error as to the true nature and meaning of life reacts on that life itself and produces not indeed a reality corresponding to the error — which would in that case cease to be an error — but a reality of a one-sided kind, showing within itself various strains and symptoms of faulty equilibrium resulting from the error.
About R. G. Collingwood
Robin George Collingwood (22 February 1889 – 9 January 1943) was an English philosopher, historian, and archaeologist. He is best known for his philosophical works including The Principles of Art (1938) and the posthumously published The Idea of History (1946).
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Additional quotes by R. G. Collingwood
30. 99. War serves the cause of peace, and is therefore politically justified, when it is the only available method of discouraging a people who are individually the victims of their own emotions, and collectively a prey to the tyrannous but popular ‘rule’ of a sub-man whom they hail as a superman, from pursuing abroad an aggressively belligerent policy, the natural extension of the tyranny to which they are accustomed at home, and forcing them to realize that the only way to prosperity at home is through peace abroad.
The historian (and for that matter the philosopher) is not God, looking at the world from above and outside. He is a man, and a man of his own time and place. He looks at the past from the point of view of the present: he looks at other countries and civilizations from the point of view of his own. This point of view is valid only for him and people situated like him, but for him it is valid. He must stand firm in it, because it is the only one accessible to him, and unless he has a point of view he can see nothing at all.
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For I do not think of aesthetic theory as an attempt to investigate and expound eternal verities concerning the nature of an eternal object called Art, but as an attempt to reach, by thinking, the solution of certain problems arising out of the situation in which artists find themselves here and now. Everything written in this book has been written in the belief that is has a practical bearing, direct or indirect, upon the condition of art in England in 1937, and in the hope that artists primarily, and secondarily persons whose interest in art is lively and sympathetic, will find something of use to them.