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Not for me all the things you must do
I am glad now that I can see through.
They say that I'm crazy, I'm out of my mind,
searching for something I'll never find.
Don't call me a loser,
call me a rebel.
No one said I must run in this race.
Always right, putting me in my place.
I know it's not easy: believe in yourself,
you won't find the answer in somebody else.
Don't call me a loser,
Call me a rebel.
Call me a rebel.

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Now you sit there thinking. Feeling insecure.
The mocking court gesture claims there is no proven cure.
Go back to your chamber, your eyes upon the wall.
'Cos you got no one to listen, you got no one to call.
And you think I'm curious.
Drifting, drowning in a purple sea of doubt
you wanna hear she loves you
but the words don't fit the mouth.
You're a loser, a rebel-a-cause-without.
But don't think me callous.

I rebel; therefore I exist.

Hey hey hey
I was born a rebel
Down in Dixie on a Sunday morning
Yeah, with one foot in the grave
And one foot on the pedal
I was born a rebel, born a rebel

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I have never traveled to anyone else's drumbeat. Some people have called me a rebel. I qualify as one. A lot of it is inadvertent, unintentional, not a gesture at all, just me, just the nature of myself, finding my own drumbeat.

I must make the important distinction between the rebel and the revolutionary. One is in ineradicable opposition to the other. The revolutionary seeks an external political change, "the overthrow or renunciation of one government or ruler and the substitution of another." The origin of the term is the word revolve, literally meaning a turnover, as the revolution of a wheel. When the conditions under a given government are insufferable some groups may seek to break down that government in the conviction that any new form cannot but be better. Many revolutions, however, simply substitute one kind of government for another, the second no better than the first — which leaves the individual citizen, who has had to endure the inevitable anarchy between the two, worse off than before. Revolution may do more harm than good. The rebel, on the other hand, is "one who opposes authority or restraint: one who breaks with established custom or tradition." … He seeks above all an internal change, a change in the attitudes, emotions, and outlook of the people to whom he is devoted. He often seems to be temperamentally unable to accept success and the ease it brings; he kicks against the pricks, and when one frontier is conquered, he soon becomes ill-at-ease and pushes on to the new frontier. He is drawn to the unquiet minds and spirits, for he shares their everlasting inability to accept stultifying control. He may, as Socrates did, refer to himself as the gadfly for the state — the one who keeps the state from settling down into a complacency, which is the first step toward decadance. No matter how much the rebel gives the appearance of being egocentric or of being on an "ego trip," this is a delusion; inwardly the authentic rebel is anything but brash.

When a woman wants to do something on her own way, she is criticized, dubbed as a rebel. I (too) was stated an arrogant. However, I stuck to my guns and today I am at this place. We have to fight in order to move forward in this men's world.

When I use the word rebel for the artist, I do not refer to revolutionary or to such things as taking over the dean’s office; that is a different matter. Artists are generally soft-spoken persons who are concerned with their inner visions and images. But that is precisely what makes them feared by any coercive society. For they are the bearers of the human being’s age-old capacity to be insurgent.

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