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" "In some ways Coleridge committed a form of artistic suicide attempting to solve the complicated mystery he saw in the flocking starlings. In a harrowing self-indictment he later described himself as a 'starling self-encaged, & always in the moult, & my whole note is, tomorrow & tomorrow & tomorrow.' Slowly losing confidence in himself as a poet, he attempted to become an all-knowing philosopher-king. He ignored the simpler images central to his life as a poet and attempted to create an equally complex system of philosophy that would hold it all in place. He eventually produced the Biographia Literaria, an immense tome, impressive in learning, thought and scholarship, but in my heretical opinion as an unrepentant lyric poet, a tragedy of wasted effort and a loss to all of us compared to the vital geniums of his early poetry.
This happens in a parallel fashion to many skilled managers who convince themselves that the organization's vision is their own vision. They suddenly find themselves in positions that are seen as rewards for rather than consummations of their skill; their natural abilities may not translate into the job they have been promoted to, nor may their interest, but because of the pressure of the career path, they may convince themselves into a phantom life under an overarching system that includes everything except their own desires.
David Whyte (born 2 November 1955) is an Anglo-Irish poet.[1][2][3] He has said that all of his poetry and philosophy are based on "the conversational nature of reality".[4] His book The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America (1994) topped the best-seller charts in the United States.
Biography information from Wikiquote
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Be taught now, among the trees and rocks, how the discarded is woven into shelter,
learn the way things hidden and unspoken slowly proclaim their voice in the world.
Find that far inward symmetry to all outward appearances,
apprentice yourself to yourself,
begin to welcome back all you sent away,
be a new annunciation,
make yourself a door through which to be hospitable,
even to the stranger in you.
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The poet lives and writes at the frontier between deep internal experience and the revelations of the outer world. There is no going back for the poet once this frontier has been reached; a new territory is visible and what has been said cannot be unsaid. The discipline of poetry is in overhearing yourself say difficult truths from which it is impossible to retreat. Poetry is a break for freedom. In a sense all poems are good; all poems are an emblem of courage and the attempt to say the unsayable; but only a few are able to speak to something universal yet personal and distinct at the same time; to create a door through which others can walk into what previously seemed unobtainable realms, in the passage of a few short lines.