Rivalistic desires are all the more overwhelming since they reinforce one another. The principle of reciprocal escalation and one-upmanship governs t… - René Girard

As far as I am concerned the subject of literature and Christianity is literally the story of my whole intellectual and spiritual existence. Many years ago, I started with literature and myth and then moved to the study of the Bible and Christian Scripture. Great literature literally led me to Christianity. This itinerary is not original. It still happens every day and has been happening since the beginning of Christianity. It happened to Augustine, of course. It happened to many great saints such as Saint Francis of Assisi and Saint Theresa of Avila who, like Don Quixote, were fascinated by novels of chivalry.

no society before ours has taken aim at sacrificial mechanisms. So, what's revealed by all of this is the tenacity of those mechanisms. If you stamp them out here, they pop up again over there. The value of Foucault's work consists in having shown this. One day, he told me that “we shouldn't invent a philosophy of the victim.” I replied: “No, not a philosophy, I agree — a religion! But it already exists!” Foucault understood the very thing that optimistic rationalism didn't foresee: new forms of “victimization” are constantly emerging from the instruments that were intended to do away with them. It's his pessimism that separates us: unlike him, I think that historical processes have meaning and that we have to accept this, or else face utter despair. Today, after the end of ideologies, the only way to embrace this meaning is to rediscover religion. Of course, even as the victimary mechanism keeps being reborn, Christianity is always there to transform and subvert it, like a leavening agent — in the humanist rationalism of the eighteenth century Enlightenment, for example. When Voltaire defended Jean Calas, the persecuted Protestant, he was being more Christian than the Catholic priests who were against him. His mistake was to have had too much faith in his own perfection, to imagine that the correctness of his position was due to his own genius. He couldn't see how much he owed to the past that stretched out behind him. I respect tradition, but I'm not justifying History. MT

The modern critic in his concerted effort to undermine the structure of all religious, moral, and cultural distinctions ultimately brings these distinctions crashing down on his own head. He sets himself up as the prophet of new insights and new ideas, as the sole possessor of an infallible system of analysis - and finds himself condemned to recapitulate all the age-old distinctions of difference: Tiresias redivivus!