I liked it all, but most of all I liked the fact that although the play was entirely focused on Quintana there were, five evenings and two afternoons… - Joan Didion

It was in fact the ordinary nature of everything preceding the event that prevented me from truly believing it had happened, absorbing it, incorporating it, getting past it. I recognize now there was nothing unusual in this: confronted with sudden disaster we all focus on how unremarkable the circumstances were in which the unthinkable occurred, the clear blue sky from which the plane fell, the routine errand that ended on the shoulder with the car in flames, the swings were the children were playing as usual when the rattlesnake struck from the ivy.

After that he would leave for a while, breaking things as he went, slamming doors to kick them open, picking up decanters to hurl at mirrors, detouring by way of chairs to smash them against the floor. Always when he came back he would sleep in their room, shutting the door against her. Rigid with self-pity she would lie in another room, wishing for the will to leave. Each believed the other a murderer of time, a destroyer of life itself.

"[from "On Keeping a Notebook"]: It is a good idea to keep in touch, and I suppose that keeping in touch is what notebooks are all about…I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not…Remember what it was to be me: that is always the point."