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" "At first, my strip wasn't very political. But after the 2000 election and then 9/11, the news was so intense that it felt weird to not talk about it. That's when my comic started taking a more political turn. I wish I could do more cultural strips just commenting on everyday life, like facial hair and clothing. But nowadays, with everything so apocalyptic, I feel like I'm being frivolous when I do observational humor, although I still try to slip it in now and then. Politics for me is not so much about individual political figures. It is about these larger cultural phenomena. I feel conflicted about using Trump in cartoons. At first, I didn't even want to draw him. I don't want to normalize him. But then I developed this Trump caricature that people really seem to like... But I think he's more of a symptom of a larger process. I don't want to isolate him as the problem because he's just the tip of the iceberg.
Jen Sorensen (born September 28, 1974) is an American cartoonist and illustrator who authors a weekly comic strip that often focuses on current events from a liberal perspective. Her work appears on the websites Daily Kos, Splinter, The Nib, Politico, AlterNet, and Truthout; and has appeared in Ms. Magazine, The Progressive, and The Nation. It also appears in over 20 alternative newsweeklies throughout America. In 2014 she became the first woman to win the Herblock Prize, and in 2017 she was named a Pulitzer Finalist in Editorial Cartooning.
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I'm also tired of being called a "radical," a word that even many otherwise-astute progressives apply to themselves. Since when is it radical to not want mercury in my tuna salad? Or to have an aversion to killing tens of thousands of innocent civilians unnecessarily? I'm the normal person here. The people running the country are the off-the-meter nutballs.
I’m doing a lot of worrying about humanity destroying itself these days. I think it is an important role of a political cartoonist. I think sometimes it’s probably more acute than others. It’s something that’s hard to deal with sometimes. Right now I find that these aren’t really funny times. There are ludicrous characters and you can make fun of Trump and these ridiculous nominees, but at the same time I don’t want to normalize him. I find myself not even wanting to draw him. I mean, I do and I will, but I don’t want to treat him like any other President. I’ve been struggling with that. How to be humorous at a time when things are just very serious. I guess what I wind up doing is somewhat darker humor, darker cartoons, and more informative cartoons that say, this is what’s happening, can you believe it? With the Bush administration things were terrible and there were definitely some dark times, but I felt like you could make fun of Bush for being a buffoon and the implications just weren’t quite as grave. It’s a different time now.