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I find that I have painted my life, things happening in my life — without knowing. After painting the Shell and shingle [c, 1926] many times, I did a… - Georgia O'Keeffe
" "I find that I have painted my life, things happening in my life — without knowing. After painting the Shell and shingle [c, 1926] many times, I did a misty landscape of the mountain across the lake, and the mountain became the shape of the shingle — the mountain I saw out my window, the shingle on the table in my room. I did not notice that they were alike for a long time after they were painted.
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About Georgia O'Keeffe
Georgia Totto O'Keeffe (15 November 1887 – 6 March 1986) was an American modernist painter. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism". O'Keeffe is a major figure in American art. She is chiefly known for paintings in which she synthesizes abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors, and she often transformed her subject matter into powerful abstract images.
Also Known As
Pen Names:
Okeef, Georgia
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Okeefe, Georgia
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O'Keeffe, Georgia Totto
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Stieglitz, Georgia O'Keeffe
Alternative Names:
Mrs. Alfred Stieglitz
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Georgia O'Keeffe Stieglitz
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Alfred, Mrs. Stieglitz
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Georgia Totto O'Keeffe
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Georgia O' Keeffe
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Georgia Stieglitz
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O'Keeffe
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Georgia O’Keeffe
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Additional quotes by Georgia O'Keeffe
The clean clear colours [of a Shanty farm] were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try — all low-toned and dreary with the tree besides the door.' In my next show [c. 1923], 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint.. ..that was my only low-toned dismal-coloured painting.
Anita – I am so glad I'm out here – I can't tell you how much I like it. I like the plains – and I like the work [her painting] – everything is so ridiculously new – and there is something about it that just makes you glad you're living here – You understand – there is nothing here – so maybe there is something wrong with me that I am liking it so much.
Bement [her art teacher] told me things to read. He told me of exhibitions to go and see [c. 1917].. ..the two books that he told me to get were Jeromy Eddy 'Cubists and Post-impressionism' and Kandinsky 'On the Spiritual of Art'... It was some time before I really begun to use the ideas. I didn't start at until I was down in Carolina — alone — thinking things out for myself.
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