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" "The greatest writers in the world are always approaching genderlessness, because there is no nook or cranny of their natures, their experiences, their dream lives, that does not get swept into their art. They do not arrive at genderlessness. Virginia Woolf, who said Shakespeare did, was thinking wishfully. Even Whitman, though he is "of the female as well as the male," is discernably closer to being a gent than a lady. For men and women in the world are socially assigned such very different degrees of power, such very different behavior, and artists must hold a mirror to the world as well as their own souls. (Afterward)
Alicia Suskin Ostriker (born November 11, 1937) is an poet and scholar who is Jewish and lives in the USA.
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Anger has always played a role in poetry. Without anger there would be no Dante, no John Milton, no Jonathan Swift, no Ezra Pound or William Carlos Williams]]—to name a few large examples. All satire derives from anger. Most of the poetry written in Eastern Europe in the postwar period is charged with anger...What is relatively new for poetry is women expressing anger, which horrifies many readers because it is such an unfeminine thing for women to do. Women are supposed to be nice and courteous, and leave the violence to men...The anger in twentieth-century women’s poetry, beginning with Plath and continuing with Adrienne Rich and many others, especially Black women, has been thrillingly salutary, cleansing the air.
I’d like to see new codes of morals that have less to do with respecting authority and berating sin, and more to do with human kindness and the celebration of both love and sexuality. I’d like to see the end of dualism. I’d like to forget about heaven and hell and concentrate on trying to improve life for everyone on this earth. I’d like everyone to recognize that worshiping a God in man’s image is idolatry. I would like every feminist to see herself as a midwife engaged in the task of re-birthing God the Mother who was swallowed by God the Father in pre-history.
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