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"Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear:
Full many a flower is born to blush unseen
And waste its sweetness on the desert air"

A good many flowers bloom and fade away in deserted places, seen by no one.
In its context in Thomas Gray's "Elegy" it is actually a metaphor for common folk who do heroic things that are never reported in the news or recorded in history. Like a precious stone unmined at the bottom of the ocean or a beautiful flower blooming in the deep woods, their work may not be seen or known, but it is nevertheless heroic. Rubies and roses are beautiful, Gray would say, whether anyone ever sees them or not.

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Full many a flower is born to blush unseen.

Like beauteous flowers which vainly waste their scent
Of odours in unhaunted deserts.

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…a flower of strange beauty, growing in a desolate spot, and blossoming in the wind...

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A Flower that blooms in adversity is the rarest and most beautiful of all

... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE...

Far-off, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred morns had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?

Out of sight is out of mind:
Long have man and woman-kind,
Heavy of will and light of mood,
Taken away our wheaten food,
Taken away our Altar stone;
Hail and rain and thunder alone,
And red hearts we turn to grey,
Are true till time gutter away.

... the common people are always ready to blame the beautiful.

Flowers fade and fly, and flying fill the sky;
Their bloom departs, their perfume gone, yet who stands pitying by? ...
Oh, let me sadly bury them beside these steps to-night! ...
Farewell, dear flowers, for ever now, thus buried as 'twas best,
I have not yet divined when I with you shall sink to rest.
I who can bury flowers like this a laughing-stock shall be;
I cannot say in days to come what hands shall bury me.
See how when spring begins to fail each opening floweret fades;
So too there is a time of age and death for beauteous maids;
And when the fleeting spring is gone, and days of beauty o'er,
Flowers fall, and lovely maidens die, and both are known no more.

The flower that blooms in adversity is the most rare and beautiful of all.

The flower that blooms in adversity is the rarest and most beautiful of all.

Ah, see,' he sang, 'the shamefast, virgin rose
first bursting her green bud so timidly,
half hidden and half bare: the less she shows
herself, the lovelier she seems to be.
Now see her bosom, budding still, unclose
and look! She droops, and seems no longer she—
not she who in her morning set afire
a thousand lads and maidens with desire. So passes in the passing of a day
the leaf and flower from our mortal scene,
nor will, though April come again, display
its bloom again, nor evermore grow green.

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