The intellectual decline of the Muslims was hastened by the peculiar position of the faithful in India: They had made India their permanent home; man… - Amir Khusrau

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The intellectual decline of the Muslims was hastened by the peculiar position of the faithful in India: They had made India their permanent home; many of them were Indians by race; and all had become so in their personal appearance, thoughts, manners and customs. And yet their religious teachers urged them to look back to ancient Arabia and draw their mental sustenance from the far-off age of the Prophet. The language of their religion must be Arabic, which not one in a hundred fully understood ; their cultural language was Persian, which a few more learnt with difficulty and used with an impurity that excited the laughter and acorn of the Persian born. The greatest Indo-Persian poet was Amir Khusrau, but even he was ranked with third-class poets among the natives of Persia. Faizi, our second best, was held to be still inferior. Witness the scorn poured by Babur and Shaikh Ali Hazin alike on the Persian style of the Indian Muslims.

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About Amir Khusrau

Ab'ul Hasan Yamīn ud-Dīn Khusrau (1253 – 1325), better known as Amīr Khusrow Dehlavī, was a Sufi musician, poet and scholar from the Indian subcontinent.

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Alternative Names: Amir Khusrow Amir Khusrau Dihlavi Ab'ul Hasan Yamīn ud-Dīn Khusro Ab'ul Hasan Yamīn ud-Dīn Khusrau Amir Khushrow Dehlavi Amīr Khusraw Dihlavī Amir Khosrow

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“When he advanced from the capital of Karra, the Hindus, in alarm, descended into the earth like ants. He departed towards the garden of Behar to dye that soil with blood as red as tulip. He cleared the road to Ujjain of vile wretches, and created consternation in Bhilsan. When he effected his conquests in that country, he drew out of the river the idols which had been concealed in it.”66

But the country of Ma’bar, which is so distant from the city of Dehli that a man travelling with all expedition could only reach it after a journey of twelve months, there the arrow of any holy warrior had not yet reached; but this world-conquering king determined to carry his [p. 91] army to that distant country, and spread the light of the Muhammadan religion there. Malik Naib Barbak was appointed to command the army for this expedition, and a royal canopy was sent with him. The Malik represented that on the coast of Ma’bar were five hundred elephants, larger than those which had been presented to the Sultan from Arangal, and that when he was engaged in the conquest of that place he had thought of possessing himself of them, and that now, as the wise determination of the king had combined the extirpation of idolaters with this object, he was more than ever rejoiced to enter on this grand enterprise....

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There is little doubt about Amir Khasrau’s achievements in music and poetry. But when it came to the fallen infidels and their religion, his bigoted Islamic zeal was very much evident. In describing Muslim victories against the Hindu kings, he mocks their religious traditions, such as "tree" and "stone-idol" worship. Mocking the stone-idols, destroyed by Muslim warriors, he wrote: ‘Praise be to God for his exaltation of the religion of Muhammad. It is not to be doubted that stones are worshipped by the Gabrs (derogatory slang for idolaters), but as stones did no service to them, they only bore to heaven the futility of that worship.’ Amir Khasrau showed delight in describing the barbaric slaughter of Hindu captives by Muslim warriors. Describing Khizr Khan’s order to massacre 30,000 Hindus in the conquest of Chittor in 1303, he gloated: ‘Praise be to God! That he so ordered the massacre of all chiefs of Hind out of the pale of Islam, by his infidel-smiting swords... in the name of this Khalifa of God, that heterodoxy has no rights (in India).’ He took poetic delight in describing Malik Kafur’s destruction of a famous Hindu temple in South India and the grisly slaughter of the Hindus and their priests therein. In describing the slaughter, he wrote, ‘...the heads of brahmans and idolaters danced from their necks and fell to the ground at their feet, and blood flowed in torrents.’

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