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'The harder I work, the luckier I get'. It was Thomas Jefferson who started the stream of variations on that theme. He should have added, 'The harder I work on one thing, the unluckier I get on all the other commitments I haven’t had time for'.
Dr. David Fleming (2 January 1940 – 29 November 2010) was an economist, cultural historian and writer on environmental issues, based in London, England. He was among the first to reveal the possibility of peak oil's approach and invented the influential TEQs system, designed to address this and climate change. He was also a pioneer of post-growth economics, and a significant figure in the development of the UK Green Party, the Transition Towns movement and the New Economics Foundation, as well as a Chairman of the Soil Association. Alongside these roles, his wide-ranging independent analysis culminated in two critically acclaimed books, Lean Logic and Surviving the Future (published posthumously in 2016). A feature film about his perspective and legacy - The Sequel: What Will Follow Our Troubled Civilisation? - was released in 2020, directed by Peter William Armstrong.
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It's not necessarily against a system that it collapses, because most systems do collapse in the end. That’s a part of the wheel of life - systems do collapse. So I’m to some extent slightly inclined to forgive capitalism for being about to collapse. I mean there are lots of fine things, lots of love affairs and the like which have come to a sticky end. On the other hand, it is quite an accusation - quite hard for it to live down - that it's going to destroy the entire planet with it.
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The difficult task will not be to move away from our market-based civil society: that will fall away so fast that we will find it hard to believe it was ever there. The task, on the contrary, is to recognise that the seeds of a community ethic—and, indeed, of benevolence—still exist. It is to join up the remnants of local culture that survive, and give it the chance to get its confidence back. We now need to move from a precious interest in culture as entertainment, often passive and solitary, to culture in its original, earthy senses of the story and celebration, the guardianship and dance that tell you where you are, and who is there with you...