Good painting is not produced by any unintelligent following of inspiration or temperament. - Patrick Swift

Nano Reid does not begin a portrait with any ideas about the person she draws. She is concerned with the head, its existence as a structure with certain characteristics. She is so much concerned with this that her portraits are inevitably deep studies of character and personality. The head, the face, the lines and features, contain everything for the painter who understands well enough to put it down.

Technical criticism in particular is the despair of the artist. No one but an idiot would offer a poet his comments in terms of spondees and trochees; why must the painter daily suffer the indignity? Any picture which makes one conscious first of its technical qualities, good or bad, is not a good picture, whatever else it may be.

The interesting thing is what happens in the specific picture: its precision in terms of the sensations it produces — the illusion it creates and the effect of this illusion on the psychology opposed to it. General philosophical and technical information however interesting in itself is secondary to this reality.