You sometimes see in a wind a piece of paper blowing about anyhow. Suppose the piece of paper could make the decision: ‘Now I want to go this way.’ I say: ‘Queer, this paper always decides where it is to go, and all the time it is the wind that blows it. I know it is the wind that blows it.’ That same force which moves it also in a different way moves its decisions.
The work of art is the object seen sub specie aeternitatis; and the good life is the world seen sub specie aeternitatis. This is the connection between art and ethics.
The usual way of looking at things sees objects as it were from the midst of them, the view sub specie aeternitatis from outside.
In such a way that they have the whole world as background.
One often makes a remark and only later sees how true it is.