It is needless to rehearse the utter and degrading loss of individual liberty which results from the orthodox communistic theory that society is itse… - H. P. Lovecraft

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It is needless to rehearse the utter and degrading loss of individual liberty which results from the orthodox communistic theory that society is itself an organism in which each person is merely an insignificant cell. It is not in anti-Soviet libels, but in the proud reports of Soviet leaders, that we read of the forcible transfer of whole village populations from their ancestral abodes to new locations in the Arctic, and of the arbitrary ordering of Moscow clerks to tasks of manual labour in the farms and forests of Siberia. All these things are logical outgrowths of what the Bolsheviks call their “collectivistic ideology”, and typical examples of the horrors which might fall upon us if communism were to gain a foothold here.

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About H. P. Lovecraft

Howard Phillips Lovecraft (20 August 1890 – 15 March 1937) was an American author of fantasy, horror, and science fiction, known for combining these three genres within single narratives and best remembered for the creation of the Cthulhu Mythos. He is considered, along with Edgar Allan Poe, to be one of the greatest Horror writers.

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Native Name: Howard Phillips Lovecraft
Alternative Names: Howard P. Lovecraft HPL E'ch-Pi-El Grandpa Theobald Ward Phillips Lovecraft
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Additional quotes by H. P. Lovecraft

I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation . . . But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free. . . . Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot . . . The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?

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