So through endless twilights I dreamed and waited, though I knew not what I waited for. Then in the shadowy solitude my longing for light grew so frantic that I could rest no more, and I lifted entreating hands to the single black ruined tower that reached above the forest into the unknown outer sky. And at last I resolved to scale that tower, fall through I might; since it were better to glimpse the sky and perish, than to live without even beholding day.

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The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with a wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break down the barriers.

I do differ from you radically in respect to familiar things & scenes; for I always demand close correlation with the landscape & historic stream to which I belong, & would feel completely lost in infinity without a system of reference-points based on known & accustomed objects. I take complete relativity so much for granted, that I cannot conceive of anything as existing in itself in any recognisable form. What gives things an aspect & quasi-significance to us is the fact that we view things consistently from a certain artificial & fortuitous angle. Without the preservation of that angle, coherent consciousness & entity itself becomes inconceivable. Thus my wish for freedom is not so much a wish to put all terrestrial things behind me & plunge forever into abysses beyond light, matter, & energy. That, indeed, would mean annihilation as a personality rather than liberation. My wish is perhaps best defined as a wish for infinite visioning & voyaging power, yet without loss of the familiar background which gives all things significance. I want to know what stretches Outside, & be able to visit all the gulfs & dimensions beyond Space & Time. I want, too, to juggle the calendar at will; bringing things from the immemorial past down into the present, & making long journeys into the forgotten years. But I want the familiar Old Providence of my childhood as a perpetual base for these necromancies & excursions—& in a good part of these necromancies & excursions I want certain transmuted features of Old Providence to form part of the alien voids I visit or conjure up. I am as geographic-minded as a cat—places are everything to me. Long observation has shewn me that no other objective experience can give me even a quarter of the kick I can extract from the sight of a fresh landscape or urban vista whose antiquity & historic linkages are such as to correspond with certain fixed childhood dream-patterns of mine. Of course my twilight cosmos of half-familiar, fleetingly remembered marvels is just as unattainable as your Ultimate Abysses—this being the real secret of its fascination. Nothing really known can continue to be acutely fascinating—the charm of many familiar things being mainly resident in their power to symbolise or suggest unknown extensions & overtones.

Religion is still useful among the herd - that it helps their orderly conduct as nothing else could. The crude human animal is in-eradicably superstitious, and there is every biological reason why they should be.
Take away his Christian god and saints, and he will worship something else...

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Though at times interested in reforms, notably prohibition (I have never tasted alcoholic liquor), I was inclined to be bored by ethical casuistry; since I believed conduct to be a matter of taste and breeding, with virtue, delicacy, and truthfulness as symbols of gentility. Of my word and honour I was inordinately proud, and would permit no reflections to be cast upon them. I thought ethics too obvious and commonplace to be scientifically discussed, and considered philosophy solely in its relation to truth and beauty. I was, and still am, pagan to the core.

As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict . . . In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable . . . Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence. . . . There is something artificial & hollow & unconvincing about self-conscious intellectual traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary. . . . In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is insincere, inappropriate, & disproportionate; for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent . . . If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life . . . For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that I am fully conscious of it, hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.

The most merciful thing in the world... is the inability of the human mind to correlate all its contents.

As she read on, her surroundings gradually faded, and soon there lay about her only the mists of dream; the purple, star-strown mists beyond Time, where only gods and dreamers walk.

A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis towards something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural law.

Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods.