Long into the night we were walking on the Piazza del Duomo. He: That I was too politicized. And I answered him more or less as follows: If you have a nail in your shoe, what then? Do you love that nail? Same with me. I am for the moon amid the vineyards When you see high up the snow on the Alps.

I said so little.
Days were short.

Short days.
Short nights.
Short years.

I said so little.
I couldn't keep up.

My heart grew weary
From joy,
Despair,
Ardor,
Hope.

The jaws of Leviathan
Were closing upon me.

Naked, I lay on the shores
Of desert islands.

The white whale of the world
Hauled me down to its pit.

And now I don't know
What in all that was real.

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Religion used to be the opium of the people. To those suffering humiliation, pain, illness, and serfdom, religion promised the reward of an after life. But now, we are witnessing a transformation, a true opium of the people is the belief in nothingness after death, the huge solace, the huge comfort of thinking that for our betrayals, our greed, our cowardice, our murders, we are not going to be judged.

— How is it, Chloe, that your pretty skirt Is torn so badly by the winds that hurt Real people, you who, in eternity, sing The hours, sun in your hair appearing And disappearing? How is that your breasts Are pierced by shrapnel, and the oak groves burn, While you, charmed, caring not at all, turn To run through forests of machinery and concrete And haunt us with the echoes of your feet?

In the very essence of poetry there is something indecent; A thing brought forth that we didn't know we had in us, So we blink our eyes, as if a tiger had sprung out And stood in the light, licking its tail.

How can I live in this country Where the foot knocks against The unburied bones of kin? I hear voices, see smiles. I cannot Write anything; five hands Seize my pen and order me to write The story of their lives and deaths. Was I born to become a ritual mourner? I want to sing of festivities, The greenwood into which Shakespeare Often took me. Leave To poets a moment of happiness, Otherwise your world will perish.

When a writer is born into a family, the family is finished.

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Since poetry deals with the singular, not the general, it cannot - if it is good poetry - look at things of this earth other than as colorful, variegated, and exciting, and so, it cannot reduce life, with all its pain, horror, suffering, and ecstasy, to a unified tonality of boredom and complaint. By necessity poetry is therefore on the side of being and against nothingness.

He who invokes history is always secure. The dead will not rise to witness against him. You can accuse them of any deeds you like. Their reply will always be silence. Their empty faces swim out of the deep dark. You can fill them with any features desired. Proud of dominion over people long vanished, Change the past into your own, better likeness.

I was not meant to live anywhere except in Paradise.
Such, simply, was my genetic inadaptation.
Here on earth every prick of a rose-thorn changed into a wound. When the sun hid behind a cloud, I grieved.
I pretended to work like others from morning to evening, but I was absent, dedicated to invisible countries.

Not that I want to be a god or a hero. Just to change into a tree, grow for ages, not hurt anyone.