Polish-American poet and Nobel laureate (1911–2004)
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And here I am walking the eternal earth. Tiny, leaning on a stick. I pass a volcanic park, lie down at a spring, Not knowing how to express what is always and everywhere: The earth I cling to is so solid Under my breast and belly that I feel grateful For every pebble, and I don't know whether It is my pulse or the earth's that I hear, When the hems of invisible silk vestments pass over me, Hands, wherever they have been, touch my arm, Or small laughter, once, long ago over wine, With lanterns in the magnolias, for my house is huge.
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No duties. I don’t have to be profound.
I don’t have to be artistically perfect.
Or sublime. Or edifying.
I just wander. I say: ‘You were running,
That’s fine. It was the thing to do.’
And now the music of the worlds transforms me.
My planet enters a different house.
Trees and lawns become more distinct.
Philosophies one after another go out.
Everything is lighter yet not less odd.
Sauces, wine vintages, dishes of meat.
We talk a little of district fairs,
Of travels in a covered wagon with a cloud of dust behind,
Of how rivers once were, what the scent of calamus is.
That’s better than examining one’s private dreams.
And meanwhile it has arrived. It’s here, invisible.
Who can guess how it got here, everywhere.
Let others take care of it. Time for me to play hooky.
Buena notte. Ciao. Farewell.
Horror is the law of the world of living creatures, and civilization is concerned with masking that truth. Literature and art refine and beautify, and if they were to depict reality naked, just as everyone suspects it is (although we defend ourselves against that knowledge), no one would be able to stand it.
A few have become acquainted with Orwell’s 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life.
At the same time, he expressed accurately and powerfully the state of mind of the countless underground fighters dying in the battle against Nazism. Why did they throw their lives into the scale? Why did they accept torture and death? They had no point of support like the Fuhrer for the Germans or the New Faith for the Communists. It is doubtful whether most of them believed in Christ. It could only have been loyalty, loyalty to something called fatherland or honor, but something stronger than any name. In one of his stories, a young boy, tortured by the police and knowing that he will be shot, gives the name of his friend because he is afraid to die alone. They meet before the firing squad, and the betrayed forgives his betrayer. This forgiveness cannot be justified by any utilitarian ethic; there is no reason to forgive traitors. Had this story been written by a Soviet author, the betrayed would have turned away with disdain from the man who had succumbed to base weakness.
He sang the brightness of mornings and green rivers,
He sang of smoking water in the rose-colored daybreaks,
Of colors: cinnabar, carmine, burnt sienna, blue,
Of the delight of swimming in the sea under marble cliffs,
Of feasting on a terrace above the tumult of a fishing port,
Of tastes of wine, olive oil, almonds, mustard, salt.
Of the flight of the swallow, the falcon,
Of a dignified flock of pelicans above the bay,
Of the scent of an armful of lilacs in summer rain,
Of his having composed his words always against death
And of having made no rhyme in praise of nothingness.
"This World"
It appears that it was all a misunderstanding.
What was only a trial run was taken seriously.
The rivers will return to their beginnings.
The wind will cease in its turning about.
Trees instead of budding will tend to their roots.
Old men will chase a ball, a glance in the mirror–
They are children again.
The dead will wake up, not comprehending.
Till everything that happened has unhappened.
What a relief! Breathe freely, you who have suffered much.
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"The pressure of an all-powerful totalitarian state creates an emotional tension in its citizens that determines their acts. When people are divided into "loyalists" and "criminals" a premium is placed on every type of conformist, coward, and hireling; whereas among the "criminals" one finds a singularly high percentage of people who are direct, sincere, and true to themselves. From the social point of view these persons would constitute the best guarantee that the future development of the social organism would be toward good. From the Christian point of view they have no other sin on their conscience save their contempt for Caesar, or their in correct evaluation of his might."