I usually begin with the idea of a character and then work on getting to know the character better. I’ve learned from actors that if I try to embody … - Sarah Ladipo Manyika

But in brief, as a child of a multiracial marriage who has lived in various countries with different histories of race and racism, and as a scholar and novelist for whom race and identity feature fairly prominently in my work, it’s safe to say that these issues are weighty, albeit not to the point of holding me back. Here again is where I take my cue from Baldwin, who advocates remaining committed to the struggle against injustices while keeping one’s heart free of hatred and despair.

I don’t have a single best book, but I enjoyed and learned a lot from the following: actor David Harewood’s memoir: Maybe I Don’t Belong Her: A Memoir of Race, Identity, Breakdown and Recovery; poet Hanif Abdurraqib’s Go Ahead in the Rain: Notes to a Tribe Called Quest; and travel writer, Noo Sara-Wiwa’s Black Ghosts: A Journey into the Lives of Africans in China. I also enjoyed re-reading Hugh Masekela and Michael Cheer’s fabulous Still Grazing: The Musical Journey of Hugh Masekela. I also read a number of great manuscripts including two brilliant chapters from my brother’s work in progress: Common Property: An Intimate History of the 20th Century.

How could I explain that the way he craved my body made me angry