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" "I read all the movie reviews, especially those of Ebert, a graceful and witty prose stylist with profound erudition, whose reviews are worth reading just for themselves, whether or not I have any intention of viewing the movie … Ebert, the smart and handsome one, gave thumbs up to my first movie [Garfield: The Movie], but [Richard] Roeper, the other one, gave thumbs down and was particularly unkind. He went on forever attacking Ebert for liking Garfield. This from a man with enough taste to praise Duma. How very disappointing. One of Roeper's complaints was that I was animated and all of the other characters in the movie were "real." Do you have any idea how a statement like that hurts an actor who has worked all of his life as a media cat? Yes, Richard Roeper, I was animated. Read my lips: I am a character in a comic strip.
Roger Joseph Ebert (18 June 1942 – 4 April 2013) was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. He was the first film critic to win a Pulitzer Prize for Criticism.
Biography information from Wikiquote
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Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds... The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.
Mandingo is racist trash, obscene in its manipulation of human beings and feelings, and excruciating to sit through in an audience made up largely of children, as I did last Saturday afternoon. The film has an "R" rating, which didn't keep many kids out, since most came with their parents... if [Chicago] believes Mandingo should be shown to children, then there are no possible standards left and the only thing to do is transfer the censors to the parks department, where they can supervise paper‑plate‑ throwing contests.
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