Menfolks listens to somebody because of what he says. Women don't. They don't care what he said. They listens because of what he is. - William Faulkner

Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.

So you see how much effort a man will make and trouble he will invent to guard and defend himself from the boredom of peace of mind. Or rather perhaps the pervert who deliberately infests himself with lice, not just for the simple pleasure of being rid of them again, since even in the folly of youth we know that nothing lasts; but because even in that folly we are afraid that maybe Nothing will last, that maybe Nothing will last forever, and anything is better than Nothing, even lice.

The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move.