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" "the colored folks rolled in the aisles, laughin' and laughin'. And Brother Bootsie was right in there laughin' and gigglin' too... but he could never figure out why. And one night in the Harlem Moon over a few gins with gingerales Langston Hughes told Bootsie it was very simple. He was just laughin' to keep from cryin'. ("How Bootsie Was Born," 1963)
Oliver Wendell Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and an outspoken advocate for civil rights who was opposed to racism and in the United States.
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And what was the cost of this Jim Crow? Not merely that the precious words "America" and "freedom" became suspect in the eyes of the world, but more than that. It cost us lives. Lives of white men, of Frenchmen, Russians and Chinese-because there were many battles in this war when replacements were needed. But the American rule of war was "No Negroes allowed on the front lines" until the 92d finally got there. I listened to the Axis radio. Tokyo Rose said, and she quoted American sources, that Negroes were good enough to serve in the American Army, but they weren't good enough to pitch in the American Big League baseball. And they broadcast this not only to our own troops but also to the billion and a half colored peoples of the earth.
there is something about picking up stakes and moving on that never really seems to work out. The restlessness which compels so many humans to go see what's on the other side of the hill, or river, is self-defeating. There are so many hills and so many rivers. And in the end one sits on some cold stone under an improbable tree and sings the blues.
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It's alright to live in Europe drawing and painting for personal satisfaction while turning out illustrations and cartoons for European publications for porkchops, but there is something missing somehow. I'm Black, and my people are engaged in a difficult and heroic struggle for freedom. While this is a worldwide struggle of oppressed people against the injustice and savage brutality which seem to be essential weapons for the maintenance of capitalism, my personal part of that struggle seems inseparably bound to how that struggle is being waged in the United States. Although I believe that "art for art's sake" has its merits, I personally feel that my art must be involved, and the most profound involvement must be with the Black liberation struggle. My cartoon character Bootsie has been a part of that struggle for 39 years and I believe, as Langston Hughes did, that satire and humor can often make dents where sawed-off billiard sticks can't.