Unless he is an annalist or a chronicler, the historian communicates a pattern which was invisible to his subjects when they lived it, and unknown to… - George Kubler

Let us suppose that the idea of art can be expanded to embrace the whole range of man-made things, including all tools and writing in addition to the useless, beautiful, and poetic things of the world. By this view the universe of man-made things simply coincides with the history of art. It then becomes urgent to devise better ways to devise better ways of considering everything men have made. This we may achieve sooner by proceeding from art rather than from use, for if we depart from use alone, all useless things are overlooked, but if we take the desirableness of things as our point of departure, then useful objects are properly seen as things we value more or less dearly.

Instead of an idea of style, which embraces too many associations, [I] have outlined the idea of a linked succession of prime works with replications, all being distributed in time as recognizably early and late versions of the same kind of action.

The universe has a finite velocity which limits not only the spread of its events, but also the speed of our perceptions. The moment of actuality slips too fast by the slow, coarse net of our senses.