Unless he is an annalist or a chronicler, the historian communicates a pattern which was invisible to his subjects when they lived it, and unknown to… - George Kubler

Let us suppose that the idea of art can be expanded to embrace the whole range of man-made things, including all tools and writing in addition to the useless, beautiful, and poetic things of the world. By this view the universe of man-made things simply coincides with the history of art. It then becomes urgent to devise better ways to devise better ways of considering everything men have made. This we may achieve sooner by proceeding from art rather than from use, for if we depart from use alone, all useless things are overlooked, but if we take the desirableness of things as our point of departure, then useful objects are properly seen as things we value more or less dearly.

However useful it is for pedagogical purposes, the biological metaphor of style as a sequence of life-stages was historically misleading, for it bestowed upon the flux of events the shapes and behavior of organisms.

We always may be sure that every man-made thing arises from a problem as a purposeful solution.