In every age man has been apt to dream uneasily, rolling from side to side, beating against imaginary bars, unless tired out he has sunk into indiffe… - Henry Brooks Adams

These questions of taste, of feeling, of inheritance, need no settlement. Everyone carries his own inch-rule of taste, and amuses himself by applying it, triumphantly, wherever he travels.

At Chartres Christ is identified with his Mother, the spirit of love and grace, and his Church is the Church Triumphant. Not only is Fear absent; there is not even a suggestion of pain; there is not a martyr with the symbol of his martyrdom; and what is still more striking, in the sculptured life of Christ, from the Nativity to the Ascension, which adorns the capitals of the columns, the single scene that has been omitted is the Crucifixion. There, as everywhere in this Portal, the artists seem actually to have gone out of their way to avoid a suggestion of suffering.

No one has ventured to explain why the Virgin wielded exclusive power over poor and rich, sinners and saints alike. Why were all the Protestant churches cold failures without her help? Why could not the Holy Ghost,— the spirit of Love and Grace,— equally answer their prayers? Why was the Son powerless? Why was Chartres Cathedral — like Lourdes today — the expression of what is in substance a separate religion? Why did the gentle and gracious Virgin Mother so exasperate the Pilgrim Father? Why was the Woman struck out of the Church and ignored in the State? These questions are not antiquarian or trifling in historical value; they tug at the very heart-strings of all that makes whatever order is in the cosmos. If a Unity exists, in which and towards which all energies centre, it must explain and include Duality, Diversity, Infinity,— Sex!