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" "We saw that there really was no way to overcome the real dilemma of existence, the one of the mortal animal who at the same time is conscious of his mortality. A person spends years coming into his own, developing his talent, his unique gifts, perfecting his discriminations about the world, broadening and sharpening his appetite, learning to bear the disappointments of life, becoming mature, seasoned—finally a unique creature in nature, standing with some dignity and nobility and transcending the animal condition; no longer driven, no longer a complete reflex, not stamped out of any mold. And then the real tragedy, as André Malraux wrote in The Human Condition: that it takes sixty years of incredible suffering and effort to make such an individual, and then he is good only for dying. This painful paradox is not lost on the person himself—least of all himself. He feels agonizingly unique, and yet he knows that this doesn’t make any difference as far as ultimates are concerned. He has to go the way of the grasshopper, even though it takes longer.
Ernest Becker (27 September 1924 – 6 March 1974) was an American cultural anthropologist and interdisciplinary thinker, noted for his 1974 Pulitzer Prize-winning book, The Denial of Death.
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Freud thought that modern man’s moral dependence on another was a result of the Oedipus complex. But Rank could see that it was the result of a continuation of the causa-sui project of denying creatureliness. As now there was no religious cosmology into which to fit such a denial, one grabbed onto a partner. Man reached for a “thou” when the world-view of the great religious community overseen by God died. Modern man’s dependency on the love partner, then, is a result of the loss of spiritual ideologies, just as is his dependency on his parents or on his psychotherapist. He needs somebody, some “individual ideology of justification” to replace the declining “collective ideologies.” Sexuality, which Freud thought was at the heart of the Oedipus complex, is now understood for what it really is: another twisting and turning, a groping for the meaning of one’s life. If you don’t have a God in heaven, an invisible dimension that justifies the visible one, then you take what is nearest at hand and work out your problems on that.
Both the boy and girl turn away from the mother as a sort of automatic reflex of their own needs for growth and independence. But the “horror, terror, contempt” they feel is, as we said, part of their own fantastic perceptions of a situation they can’t stand. This situation is not only the biological dependency and physicalness represented by the mother, but also the terrible revelation of the problem of the child’s own body. The mother’s body not only reveals a sex that threatens vulnerability and dependency—it reveals much more: it presents the problem of two sexes and so confronts the child with the fact that his body is itself arbitrary. It is not so much that the child sees that neither sex is “complete” in itself or that he understands that the particularity of each sex is a limitation of potential, a cheating of living fulness in some ways—he can’t know these things or fully feel them. It is again not a sexual problem; it is more global, experienced as the curse of arbitrariness that the body represents. The child comes upon a world in which he could just as well have been born male or female, even dog, cat, or fish—for all that it seems to matter as regards power and control, capacity to withstand pain, annihilation, and death. The horror of sexual differentiation is a horror of “biological fact,” as Brown so well says. It is a fall out of illusion into sobering reality. It is a horror of assuming an immense new burden, the burden of the meaning of life and the body, of the fatality of one’s incompleteness, his helplessness, his finitude. And this, finally, is the hopeless terror of the castration complex that makes men tremble in their nightmares. It expresses the realization by the child that he is saddled with an impossible project; that the causa-sui pursuit on which he is launched cannot be achieved by body-sexual means, even by protesting a body different from the mother. The fortress of the body, the primary base for narcissistic operations against the world in order to insure one’s boundless powers, crumbles like sand. This is the tragic dethroning of the child, the ejection from paradise that the castration complex represents. Once he used any bodily zone or appendage for his Oedipal project of self-generation; now, the very genitals themselves mock his self-sufficiency.
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The characteristics the modern mind prides itself on are precisely those of madness. There is no one more logical than the lunatic, more concerned with the minutiae of cause and effect. Madmen are the greatest reasoners we know, and that trait is one of the accompaniments of their undoing. All their vital processes are shrunken into the mind. What is the one thing they lack that sane men possess? The ability to be careless, to disregard appearances, to relax and laugh at the world. They can’t unbend, can’t gamble their whole existence, as did Pascal, on a fanciful wager. They can’t do what religion has always asked: to believe in a justification of their lives that seems absurd.