Hilariously florid — sometimes referred to as "Lust in the Dust." This Wagnerian western features Gregory Peck and Jennifer Jones as lovers so passio… - Pauline Kael

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Hilariously florid — sometimes referred to as "Lust in the Dust." This Wagnerian western features Gregory Peck and Jennifer Jones as lovers so passionate they kill each other. She's Pearl Chavez, a half-breed wench, and so, by Hollywood convention, uncontrollably sexy, and Peck actually manages to bestir himself enough to play a hunk of egotistical hot stuff — maybe the name Lewt McCanles got to him, or maybe the producer, David O. Selznick, used electric prods. Peck clangs his spurs and leers, while Jones heaves her chest; when they kiss, lightning blazes.

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About Pauline Kael

Pauline Kael (June 19, 1919 – September 3, 2001) was an American film critic best remembered for the reviews she wrote for The New Yorker. Collections of her reviews were later published in book form.

Biography information from Wikiquote

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Additional quotes by Pauline Kael

"Regrettably, one of the surest signs of the Philistine is his reverence for the superior tastes of those who put him down. Macdonald believes that "a work of High Culture, however inept, is an expression of feelings, ideas, tastes, visions that are idiosyncratic and the audience similarly responds to them as individuals." No. The "pure" cinema enthusiast who doesn't react to a film but feels he should, and so goes back to it over and over, is not responding as an individual but as a compulsive good pupil determined to appreciate what his cultural superiors say is "art." Movies are on their way into academia when they're turned into a matter of duty: a mistake in judgment isn't fatal, but too much anxiety about judgment is. In this country, respect for High Culture is be­ coming a ritual.
If debased art is kitsch, perhaps kitsch may be re­ deemed by honest vulgarity, may become art."

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Unlike storybook heroes and heroines but like many actual heroes and heroines, she was something of a social outcast. (As Simone Weil noted, it was the people with irregular and embarrassing histories who were often the heroes of the Resistance in the Second World War; the proper middle-class people may have felt they had too much to lose.)

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