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You said to imagine a great big sphere, and inside is all of time and space. All of it. And outside are these intelligent entities, and all they are … - Theodore Sturgeon
" "You said to imagine a great big sphere, and inside is all of time and space. All of it. And outside are these intelligent entities, and all they are is curious; all they want to do is experience.”
“Go on,” Alice said. Her eyes are so bright.…
“One might say: ‘I want the experience of being a seventeen-year-old girl in the fourteenth century who was burned at the stake.’ Or ‘I’d like the experience of being a four-month aborted fetus in 1994.’ And they just dive in and do it.” I looked at Alice. She was waiting for something. I thought about what I just said, and then I remembered: “They have to create what happens. Write a script.” She still waited, so I said, “Not only the experience itself; the house, the city, the country, the whole world where it happens. All of it.”
“Which makes that entity responsible for all of it,” she reminded me.
“So that’s who the ‘little man watching’ really is — that, that thing — ”
“Not a thing,” she said, interrupting for the very first time. “It’s you. You’re living a script that you wrote. Which is why free will and predestination are the same thing.
English
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About Theodore Sturgeon
Theodore Sturgeon (born Edward Hamilton Waldo, 26 February 1918 – 8 May 1985) was an American author of science fiction, essayist, and poet.
Biography information from Wikiquote
Also Known As
Pen Names:
E. Waldo Hunter
Birth Name:
Edward Hamilton Waldo
Also Known As:
Ted
Alternative Names:
Ted Sturgeon
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Additional quotes by Theodore Sturgeon
Movement, growth, change, catabolism. Could music exist without passage, without progression, or poetry; could you speak a word and call it a rhyme without speaking more words? Could life exist … why, passage is very nearly a definition for life! A living thing changes by the moment and by each portion of each part of a moment; even when it sickens, even when it decays, it changes, and when it stops changing, it’s —
"I went back every evening, after work, for nearly a year. I learned the meaning of the cud of a leaf and the glisten of wet pebbles, and the special significance of curves and angles. A great deal of the writing was unwritten. Plot three dots on a graph and join them; you now have a curve with certain characteristics. Extend that curve while maintaining the characteristics, and it has meaning, up where no dots were plotted.
In just this way I learned to extend the curve of a grass-blade and of a protruding root, of the bent edges of wetness on a drying headstone. I quit smoking so I could sharpen my sense of smell, because the scent of earth after a rain has a clarifying effect on graveyard reading, as if the page were made whiter and the ink darker. I began to listen to the wind, and to the voices of birds and small animals, insects and people; because to the educated ear, every sound is filtered through the story written on graves, and becomes a part of it.
("The Graveyard Reader")"
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