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" "Ochlocracy is revolution in permanence.
Erik Maria Ritter von Kuehnelt-Leddihn (31 July 1909 – 26 May 1999) was an Austrian Catholic nobleman and socio-political theorist.
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Once Europe could boast of a large class of craftsmen — free people with the opportunity for artistic creation; but now everything is manufactured by mass production and the result is an incredible shrinkage in the variety of forms due to standardization. There is probably a greater variety of goods in Timbuctoo or in the Sooks of Marrakesh than in Frankfort or Los Angeles. The artifacts are thus "democratized." (Mr. Gray and Mr. Green get an identical product for an identical price.) […] The defenders of mass production emphasize the fact that modern manufacture makes more goods accessible to a greater number. They are not aware psychologically that the gain is nil. It is true that a book used to cost during the Middle Ages the equivalent of two to five hundred dollars whereas Gone With the Wind can be bought in editions of $1.49 and even less. Libraries were the privileges of a very few. But on the other side people enjoyed books far more, and the purchase of a book was a greater event in life than today the acquisition of a Cadillac. Nowadays one walks nonchalantly into a bookstore, pushes two and a half dollars over a counter, reads the book and forgets it sometimes in the suburban train.
These expressions — "culture" and "civilization" — have to be used in their Continental sense to make the point clear. "Culture" is the sum of all products which represent a personal manifestation, like painting, poetry, religion, philosophy, and the humanities. "Civilization" is nonpersonal. It is the sum total of all efforts which contribute to the increase of comfort or "usefulness" in the practical sense. Bathtubs, dentists' tools, railways, and traffic regulations are products of civilization. […] Yet while civilization is basically lack of friction, smoothness, comfort, and material enjoyment we have to look at traditional Christianity as being something "uncomfortable." […] It is difficult to project into the frame of a comfortistic civilization the picture of Christ, hanging on the cross with a body convulsed by pain, the palms torn to shreds by the heavy nails, the hairs glued to the scalp by sweat and coagulated blood. It ought to be repeated again that culture is always "magnificent." […] Civilization is geocentric comfort. But culture, which must be bought by bitter suffering (there is neither art nor sanctity without suffering), points always toward heaven. And the ochlocratic millennium hell bent upon avoiding suffering will turn its back toward heaven.