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" "What we need more now is to make art that is about connection. Mural painting is a perfect form, the oldest form, we know those cave guys were marking those walls for magic. Those guys were shamans who recorded history. I haven't traveled far from these ideas, that particular role, or consciousness, so that you can elevate your worries about global warming into a song that will move the souls of everybody in the room. This is a different and bigger role than the western European visions of art. This vision goes back to the ancient American. I like to say mural painting is a form made in connectedness, connected to architecture, to the river, where we made our first huge mistake in the city. We concreted the artery, and my job was to begin healing the river and the people. We are connected to that river, we are connected to living things, the whole planet, the Gaia, the large philosophical point of view, the creation of another idea of what can be.
Judith Francisca Baca (born September 20, 1946) is an American Chicana artist, activist, and professor.
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My work has been ignored a lot in LA … and the men here have been pretty profoundly unable to see women as their peers. That’s been the struggle of my whole life as a Chicana and activist and feminist. It’s created a devil-may-care attitude for me. I had to just perceive what I was doing as significant for myself and my community and move ahead with willfulness and belief, buoyed by the community people I worked with – not by the arts.