..colors are my notes for fashioning sounds and chords with and against one another. - Emil Nolde

In our own time, every earthenware vessel or piece of jewelry, every utensil or garment, has to be designed on paper before it is made. Primitive peoples, however, create their works with the material itself in the artist's hand, held in his fingers. They aspire to express delight in form and the love of creating it. Absolute originality, the intense and often grotesque expression of power and life in very simple forms – that may be why we like these works of native art.

The materials, the colors, were like friendship and love, both wanting to fulfill themselves in the most beautiful form.

Since then, much has changed. We do not care for Raphael, and are less enthusiastic about the statues of the so-called golden age of Greece. Our predecessors’ ideals are not ours. Works signed by great names over the centuries appeal to us less. In the hurry and bustle of their times, worldly-wise artists created works for Popes and palaces. It is the ordinary people who laboured in their workshops and of whose lives scarcely anything is now known, whose very names have not come down to us, that we love and respect today in their plain, large-scale carvings in the cathedrals of Naumburg, Magdeburg and Bamberg.