I am persuaded there is no triumph equal to one achieved on the stage—it comes so immediate and so home : you have before you the mass of human being… - Letitia Elizabeth Landon
" "I am persuaded there is no triumph equal to one achieved on the stage—it comes so immediate and so home : you have before you the mass of human beings whose sympathies are at your will; you witness the emotions which you raise, you see the tears which you command : the poet has erected the statue, but it is for you to give it life—the words must find their music on your lips—the generous sentiment, the exalted hope, the touches of deep feeling, ask their expression from you : surely such influence is among the triumphs of the mind, ay and a great and noble triumph.
About Letitia Elizabeth Landon
Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.
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Additional quotes by Letitia Elizabeth Landon
For many years he has not breathed the air,
The wholesome open air ; the sun, the moon,
The stars, the clouds, the fair blue heaven, the spring,
The flowers, the trees, and the sweet face of man,
Song, or words yet more musical than song,
Affections, feelings, social intercourse
(Unless remembered in his fairy dreams)
Have all been strangers to his solitude ! —
A curse is set on him, like poverty,
Or leprosy, or the red plague, but worse, —
The heart has sent its fire up to the brain,
And he is mad.
No book is fairly judged till it is read twice, and at distant periods. It is curious to note the variation of taste in ourselves. I can remember I devoured the story keenly, dwelt on all that partook of sentiment, and never questioned the depth of any remark. I now find that I take chief interest in what brings out character. I enter more into the humourous, and am every now and then tempted to analyse the truth of a deduction. I think more over what I am reading, and delight more in connecting the world of fiction with that of reality.