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" "When he was dead I raised myself to my feet and I looked about me. Everything was still. A loneliness had come upon my soul.
There was darkness everywhere now but in the forest. And even here there were wisps of grey, as if evil crept in.
I lifted my head to the sky and I shook my fist. “Oh, I reject you. I reject your Heaven and I reject your Hell. Do as you wish with me, but know that your desires are petty and your ambitions have no meaning!”
I addressed no one. I addressed the universe. I addressed a void.
Michael Moorcock (born 18 December 1939) is a prolific British writer and editor, long known for his SF and fantasy works and now also for literary novels.
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If you were to believe all the old, degenerate German legends, there’s a Grail in every castle, a Charlemagne or an Arthur under every mound! There not a noble house without at least one werewolf offspring or a younger son who’s made a pact with the Devil, an uncle practising the profane arts of alchemy, a vampirical grandfather, a mad monk, a ruined abbey in the grounds where witches meet, an incarcerated lunatic (or heiress—or both), an infanticide or two (and a patricide), and, of course, a family ghost.
To me politics is just a matter of getting the engineering right. If you have a machine which functions properly without much attention, then it's obviously a good machine. That's what politics should be about. And if the machine has simple working parts which any layman can understand, then it's, as it were, your democratic machine. Am I right or am I wrong?"
"Crazy," said Makhno, and scratched his nose.
"What?"
"You're not right or wrong. You're crazy.