The point is: what happens in heaven?"
"Unknowable wonderfulness?"
"Nonsense. The answer is nothing. Nothing can happen because if something happens, in fact if something can happen, then it doesn't represent eternity. Our lives are about development, mutation and the possibility of change; that is almost a definition of what life is: change."
"Have you always thought that?"
If you disable change, if you effectively stop time, if you prevent the possibility of the alteration of an individual's circumstances—and that must include at least the possibility that they alter for the worse—then you don't have life after death; you just have death."
"There are those who believe that after death the soul is recreated into another being."
"That is conservative and a little stupid, certainly, but not actually idiotic."
"And there are those who believe that, upon death, the soul is allowed to create its own universe."
"Monomaniacal and laughable as well as provably wrong."
"There there are those who believe that the soul—"
"Well, there are all sorts of different beliefs. However, the ones that interest me are those concerning the idea of heaven. That's the idiocy it annoys me that others cannot see.

He was one of those people who got to the top of an organisation through luck, connections, the indulgence of superiors and that sort of carelessness towards others that the easily impressed termed ruthlessness and those of a less gullible nature called sociopathy. But sometimes, just through his sheer unthinking brusqueness and inability to think through the consequences of a remark, he said what everybody else was only thinking. A comic poet working in obscene doggerel.

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What happens happens," continued the Resiler, "and cannot be made to unhappen. We are the equations; we cannot deny the algebra of the universe or the result it brings us. Die peacefully or in hysterics, with grace or with despair; it matters not. Prepare or ignore; it matters not. Very little matters very much and almost nothing matters greatly.

Geis is a pain, Sharrow; the guy has a kind of charming facade but basically he’s a social inadequate whose real place in life is out mugging pensioners and cheating and beating on his girlfriends, and if he had three more names and been raised in a rookery in the The Meg rather than the nursery at house Tzant, that’s exactly what he would be doing. Instead he jumps out of the commercial equivalent of dark allies, strips companies and fucks their employees. He’s got no idea how real people work so he plays the market instead; he’s a rich kid who thinks the banks and courts and Corps are his construction set and he doesn’t want anybody else to play. He wants you the way he wants a sexy company, as a bauble, a scalp, something to display. Never get beholden to people like that, they’ll piss on you and then charge irrigation fees.

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Besides, it left the humans in the Culture free to take care of the things that really mattered in life, such as sports, games, romance, studying dead languages, barbarian societies and impossible problems, and climbing high mountains without the aid of a safety harness.

I think I know the real reason."
"Which is?"
"Alcohol in the dust clouds. Goddamn stuff is everywhere. Any lousy species ever invents the telescope and the spectroscope and starts looking in between the stars, what do they find?" He knocked the glass on the table. "Loads of stuff, but much of it alcohol." He drank from the glass. "Humanoids are the galaxy's way of trying to get rid of all that alcohol.

he saw that which cannot be seen; a concept; the adaptive, self-seeking urge to survive, to bend everything that can be reached to that end, and to remove and to add and to smash and to create so that one particular collection of cells can go on, can move onwards and decide, and keeping moving, and keeping deciding, knowing that - if nothing else - at least it lives. And it had two shadows, it was two things; it was the need and it was the method. The need was obvious; to defeat what opposed its life. The method was that taking and bending of materials and people to one purpose, the outlook that everything could be used in the fight; that nothing could be excluded, that everything was a weapon, and the ability to handle those weapons, to find them and choose which one to aim and fire; that talent, that ability, that use of weapons.