I'm a writer who plays the piano. As I write, I find new things I like. I make them into what I call principles, and they become part of my playing v… - Clare Fischer

Bill and I were pretty much the same age bracket, and strangely enough, we both went through the same influences, starting with Nat Cole, going into Bud Powell during the bebop period, and then getting into the Lennie Tristano school orienta—in my particular case, Lee Konitz more than Lennie. I mean, in an era when everybody else was playing funky piano, we... I suppose, in a general category, that made us both the same. Whereby [sic] to my mind, we were both radically different. But after I put out that first album, the reviews started off by saying, "Clare Fischer owes much to Bill Evans." And then, when I would write an album, they would say "Clare Fischer owes much to Gil Evans." And I would call that my Evans brothers syndrome.

Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there." It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me.

Since suffering a concussion eight years ago, I find my inside emotions are right to the front and as such, when I heard that Antonio Carlos Jobim had died in December of 1994 I was much affected, I experienced happenings like no other time in my life. While sleeping one night, I dreamed that I was conducting a recording session with strings in Brazil and we were performing Jobim's "Corcovado," except that besides thje melody and harmony, there was polyharmonic bass line. As I awakened from this dream, I went to my piano and wrote down what I had dreamed.