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That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids. Si… - John Constable
" "That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids. Sir Joshua Reynolds speaking of the "Landscape" of Titian & Salvator & Claude says 'Even their skies seem to sympathise with the Subject.' I have often been advised to consider my sky as a 'hite Sheet thrown behind the Objects'. Certainly, if the sky is 'obtrusive,' (as mine are) it is bad, but if they are 'evaded' (as mine are not) it is worse, they must and always shall with me make an effectual part of the composition. It will be difficult to name a class of landscape in which the sky is not the 'key note,' the 'standard of Scale' and the chief 'Organ of sentiment.' You may conceive, then, what a "white sheet" would do for me, impressed as I am with these notions.
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About John Constable
John Constable (11 June 1776 – 31 March 1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home. He was one of the earliest painters who painted with oil in 'plain air'; he made a lot of fresh and direct oil-sketches of the English landscape. john constable painted the scene of woods and water in 1830.
Biography information from Wikiquote
Also Known As
Alternative Names:
Dzhon Konsteblʹ
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Dzhon Konstabŭl
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R. A. John Constable
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Kʻang-ssŭ-tʻê-pu-êrh
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J. Constable R.A.
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Constable
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J. Constable
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R.A. Constable
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Jn. Constable
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John Constable R. A.
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John Constable R.A.
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I am anxious that the world should be inclined to look to painters for information about painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities; ; and to show, by tracing the connecting links in the history of landscape painting, that no great painter was ever self-taught.
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