If you limit your choices only to what seems possible or reasonable, you disconnect yourself from what you truly want, and all that is left is compro… - Robert Fritz

We don’t make art because we need it. We make it because we love it. The love artists have is generative, not responsive. Romantic love is responsive. You meet and then you fall in love. The situation first, the love second. But for the artist, the love predates the situation. The filmmaker loves the film before the film is made. The painter loves the painting before paint touches canvas. The choreographer loves the dance before it exists. To do what we need to do is not special. After all, we need to do it. But to do what we do not need to do is special. To the artist, to make art is one of the most special things one can do in life.

Often, the person reaches a point where there is a choice between two conflicting interests: reducing the emotional discomfort or seeing what is really going on. The person needs to make a value choice at this point. Which is more important to you, seeing reality or feeling okay? Almost always, the person chooses to see reality, and therefore, to let the emotional chips fall wherever they may.

When you merely choose a process, you do not establish structural tension, and you do not make energy available to complete the creative process.