“…To Iletmish we owe some of the finest Muslim works in India. The Arhai din ka-Jhopra began by Qutab al-Din in AD 1198-99, was also completed by him… - James Tod

[Once in a while, ladies with courage and virtue, stood up against the royal advances like the wife of Prithviraj Singh, Rae Singh's younger brother. She was a princess of Mewar and once on returning from the fair found herself entangled amidst the labyrinth of apartments at the end of which Akbar stood before her,] “but instead of acquiesence, she drew a poniard from her corset and held it to his breast, dictating, and making him repeat the oath of rununciation of the infamy of all her race".

After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after almost every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other important interests, irretrievable losses. My own animadversions upon the defective condition of the annals of Rajwara have more than once been checked by a very just remark: "when our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to [x] abandon the very meal preparing for them, was that a time to think of historical records?"

SIDPOOR – JUNE 20th – In the infancy of our geography of India, the illustrious D’ Anville said of this city, “ville qui tire son nom des Shites, ou toiles peintes, qui s’y fabriquent;” but it boasts of a more dignified etymology, being called after its patron, the Balhara prince, Sid-Rae. By some he is supposed to be the founder, but there is every reason to believe that he was only the renovator, of this place, the position of which on the Sarasvati, flowing from the shrine of Ambabhavani, is well-chosen. Here are the remains of what in past ages must have been one of the grandest efforts of Hindu architecture, a temple dedicated to Siva, and termed Roodra-Mala, or ‘the chaplet of Roodra,’ the god of battle; but so disjointed are the fragments, that it is difficult to imagine what it may have been as a whole. They are chiefly portions of porticoes, one of which tradition names the prostyle of the munduff, or vaulted mansion occupied by the bull, companion of Roodra, whose sanctum was converted into a mosque. It is said to have been a rectangular building, five stories in height, and if we may judge from one portion yet remaining, this could not have been less than one hundred feet…I found two inscriptions, from one of which I learned that it was commenced by Raja Moolraj [the founder of the Solankhi dynasty of Anhilwara], in S. 998 [A.D. 942], and from the other that it was finished by Sid-Raj…A couplet records its destruction by All-u-din – “In S. 1353 [A.D. 1297], came the barbarian Alla: the Roodra-Mala he levelled, “carrying destruction amongst the lords of men.”