…and either I’m nobody, or I’m a nation. - Derek Walcott

...and either I’m nobody, or I’m a nation

There is the buried language and there is the individual vocabulary, and the process of poetry is one of excavation and of self-discovery. Tonally the individual voice is a dialect; it shapes its own accent, its own vocabulary and melody in defiance of an imperial concept of language, the language of Ozymandias, libraries and dictionaries, law courts and critics, and churches, universities, political dogma, the diction of institutions. Poetry is an island that breaks away from the main.

Then silence is sawn in half by a dragonfly as eels sign their names along the bottom-sand when the sunrise brightens the river's memory <p> and waves of huge ferns are nodding to the sea's sound. Although the smoke forgets the earth from which is ascends and the nettles guard the holes where the laurels were killed <p> an iguana hears the axes, clouding each lens over its lost name, when the hunched island was called 'Iounalao' 'Where it iguana is from' <p> But, taking its own time, the iguana will scale the rigging of vines in a year, its dewlap fanned, its elbows akimbo, its deliberate tail <p> moving with the island. The slit pods of its eyes ripened in a pause that lasted for centuries, that rose with the Aruacs' smoke till a new race <p> unknown to the lizard stood measuring the trees. These were their pillars that fell, leaving a blue space for a single God where the old gods stood before, <p> The first god was a gommier. The generator began with a whine, and a shark, with sidewise jaw, sent the chips flying like mackrel over water <p> into trembling weeds