Denise Levertov Quotes

pure dust that is all in all. Bless, weightless Spirit. Drink Caliban, push your tongue heavy into the calyx.

..and as you read
the sea is turning its dark pages,
turning
its dark pages.

"The yellow moon dreamily
tipping buttons of light
down among the leaves. Marimba,
marimba - from beyond the
black street.
Somebody dancing,
somebody
getting the hell
outta here. Shadows of cats
weave round the treetrunks,
the exposed knotty roots.

("Scenes from the Life of the Peppertrees")"

Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God.

The ache of marriage:

thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth

We look for communion
and are turned away, beloved,
each and each

It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it

two by two in the ark of
the ache of it.

To leave the open fields and enter the forest, that was the rite. Knowing there was mystery, they could go. Go back now! And he receded among the multitude of forms, the twists and shadows they saw now, listening to the hum of the world's wood.

"Fire he sang,
that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
As though his lyre (now I knew its name)
were both frost and fire, its chords flamed
up to the crown of me.
I was seed again.
I was fern in the swamp.
I was coal.

("A Tree Telling of Orpheus")"

The poem has a social effect of some kind whether or not the poet wills it to have. It has a kenetic force, it sets in motion...elements in the reader that would otherwise remain stagnant.

The poet does not use poetry, but is at the service of poetry. To use it is to misuse it.

"To the Reader"

As you read, a white bear leisurely
pees, dyeing the snow
saffron,

and as you read, many gods
lie among lianas: eyes of obsidian
are watching the generations of leaves,

and as you read
the sea is turning its dark pages,
turning
its dark pages.

It's when we face for a moment the worst our kind can do, and shudder to know the taint in our own selves, that awe cracks the mind's shell and enters the heart.

Just when you seem to yourself nothing but a flimsy web of questions, you are given the questions of others to hold in the emptiness of your hands, songbird eggs that can still hatch if you keep them warm, butterflies opening and closing themselves in your cupped palms, trusting you not to injure their scintillant fur, their dust. You are given the questions of others as if they were answers to all you ask. Yes, perhaps this gift is your answer.

The Avowal

As swimmers dare
to lie face to the sky
and water bears them,
as hawks rest upon air
and air sustains them;
so would I learn to attain
freefall, and float
into Creator Spirit's deep embrace,
knowing no effort earns
that all-surrounding grace.

and nothing was burning, nothing but I,

I like the juicy stem of grass that grows
within the coarser leaf folded round,
and the butteryellow glow in the narrow flute from which the morning-glory
opens blue and cool on a hot morning.