You have come to the shore. There are no instructions.

Looking, Walking, Being

I look and look.
Looking’s a way of being: one becomes,
Sometimes, a pair of eyes walking.
Walking wherever looking takes one.
The eyes
Dig and burrow in the world.
They touch
Fanfare, howl, madrigal, clamor.
World and the past of it,
Not only
Visible present, solid and shadow
That looks at one looking.

And language? Rhythms
Of echo and interruption?
That’s
A way of breathing,

breathing to sustain
Looking,
Walking and looking,
Through the world,
In it.

Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans
As swimmers dare
to lie face to the sky
and water bears them,
as hawks rest upon air
and air sustains them,
so would I learn to attain
freefall, and float
into Creator Spirit’s deep embrace,
knowing no effort earns
that all-surrounding grace.

I do not believe that a violent imitation of the horrors of our times is the concern of poetry. Horrors are taken for granted. Disorder is ordinary. People in general take more and more 'in their stride' — hides grow thicker. I long for poems of an inner harmony in utter contrast to the chaos in which they exist. Insofar as poetry has a social function, it is to awaken sleepers by other means than shock.

"The yellow moon dreamily
tipping buttons of light
down among the leaves. Marimba,
marimba - from beyond the
black street.
Somebody dancing,
somebody
getting the hell
outta here. Shadows of cats
weave round the treetrunks,
the exposed knotty roots.

("Scenes from the Life of the Peppertrees")"

Try QuoteGPT

Chat naturally about what you need. Each answer links back to real quotes with citations.

Trying to remember old dreams. A voice. Who came in.
And meanwhile the rain, all day, all evening,
quiet steady sound. Before it grew too dark
watched the blue iris leaning under the rain,
the flame of the poppies guttered and went out.
A voice. Almost recalled. There have been times
the gods entered. Entered a room, a cave?
A long enclosure where I was, the fourth wall of it
too distant or too dark to see. The birds are silent,
no moths at the lit windows. Only a swaying rosebush
pierces the table’s reflection, raindrops gazing from it.
There have been hands laid on my shoulders.
What has been said to me,
how has my life replied?
The rain, the rain...

What I invaded has invaded me.

To speak of sorrow
works upon it
moves it from its
crouched place barring
the way to and from the soul's hall — out in the light it
shows clear, whether
shrunken or known as
a giant wrath — discrete
at least, where before

its great shadow joined
the walls and roof and seemed
to uphold the hall like a beam.