Theodore Roethke Quotes

(Dreams drain the spirit if we dream too long.)

I have gone into the waste lonely places
Behind the eye; the lost acres at the edge of smoky cities.
What’s beyond never crumbles like an embankment,
Explodes like a rose, or thrusts wings over the Caribbean.
There are no pursuing forms, faces on walls:
Only the motes of dust in the immaculate hallways,
The darkness of falling hair, the warning from lint and spiders,
The vines graying to a fine powder.
There is no riven tree, or lamb dropped by an eagle.

There are still times, morning and evening:
The cerulean, high in the elm,
Thin and insistent as a cicada,
And the far phoebe, singing,
The long plaintive notes floating down,
Drifting through leaves, oak and maple,
Or the whippoorwill, along the smoky ridges,
A single bird calling and calling:
A fume reminds me, drifting across wet gravel;
A cold wind comes over stones;
A flame, intense, visible,
Plays over the dry pods,
Runs fitfully along the stubble,
Moves over the field,
Without burning.
In such times, lacking a god,
I am still happy.

What falls away is always. And is near.

Light takes the Tree; but who can tell us how? The lowly worm climbs up a winding stair; I wake to sleep, and take my waking slow.

Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?

How body from spirit slowly does unwind, until we are pure spirit at the end.

In this place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.

And I dance with William Blake For love, for Love's sake; And everything comes to One,
As we dance on, dance on, dance on.

The night wind rises. Does my father live?
Dark hangs upon the waters of the soul.
My flesh is breathing slower than a wall.
Love alters all. Unblood my instinct, love.

All finite things reveal infinitude:
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow,
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree:
The pure serene of memory in one man, –
A ripple widening from a single stone
Winding around the waters of the world.

To whom does this terrace belong? —
With its limestone crumbling into fine greyish dust,
Its bevy of bees, and its wind-beaten rickety sun-chairs?
Not to me, but this lizard,
Older than I, or the cockroach.

Child On Top Of A Greenhouse

The wind billowing out the seat of my britches,
My feet crackling splinters of glass and dried putty,
The half-grown chrysanthemums staring up like accusers,
Up through the streaked glass, flashing with sunlight,
A few white clouds all rushing eastward,
A line of elms plunging and tossing like horses,
And everyone, everyone pointing up and shouting!

All lovers live by longing, and endure:
Summon a vision and declare it pure.

I learn by going where I have to go

Your words are you. You are them and not much more. The Description: the fieldness of fields, the weediness of weeds… When is description mere? Never. A freshness in the seeing, an innocency in the vision, the angle of perception, the bringing together of details, not necessarily as metaphors, even, just as objects. Be one of those on whom, as Lawrence said, nothing is lost. Don’t strain for arrangement. Look and put it down and let your sensibility be the sieve.