Much of poetry is an anguished waiting.” — Theodore Roethke

My Papa's Waltz:

The whiskey on your breath
Could make a small boy dizzy;
But I hung on like death:
Such waltzing was not easy.

We romped until the pans
Slid from the kitchen shelf;
My mother's countenance
Could not unfrown itself.

The hand that held my wrist
Was battered on one knuckle;
At every step you missed
My right ear scraped a buckle.

You beat time on my head
With a palm caked hard by dirt,
Then waltzed me off to bed
Still clinging to your shirt.

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In a dark time, the eye begins to see

I feel her presence in the common day,
In that slow dark that widens every eye.
She moves as water moves, and comes to me,
Stayed by what was, and pulled by what would be. — Theodore Roethke, from “She,” Words for the Wind: The Collected Verse of Theodore Roethke (Indiana University Press, 1964)

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I always felt mean, jogging back over the logging road, As if I had broken the natural order of things in that swampland;
Disturbed some rhythm, old and of vast importance,
By pulling off flesh from the living planet;
As if I had committed, against the whole scheme of life, a desecration.

My secrets cry aloud.
I have no need for tongue.
My heart keeps open house,
My doors are widely swung.
An epic of the eyes
My love, with no disguise.

My truths are all foreknown,
This anguish self-revealed.
I’m naked to the bone,
With nakedness my shield.
Myself is what I wear:
I keep the spirit spare.

The anger will endure,
The deed will speak the truth
In language strict and pure.
I stop the lying mouth:
Rage warps my clearest cry
To witless agony.

Deep in their roots all flowers keep the light.

I have gone into the waste lonely places
Behind the eye; the lost acres at the edge of smoky cities.
What’s beyond never crumbles like an embankment,
Explodes like a rose, or thrusts wings over the Caribbean.
There are no pursuing forms, faces on walls:
Only the motes of dust in the immaculate hallways,
The darkness of falling hair, the warning from lint and spiders,
The vines graying to a fine powder.
There is no riven tree, or lamb dropped by an eagle.

There are still times, morning and evening:
The cerulean, high in the elm,
Thin and insistent as a cicada,
And the far phoebe, singing,
The long plaintive notes floating down,
Drifting through leaves, oak and maple,
Or the whippoorwill, along the smoky ridges,
A single bird calling and calling:
A fume reminds me, drifting across wet gravel;
A cold wind comes over stones;
A flame, intense, visible,
Plays over the dry pods,
Runs fitfully along the stubble,
Moves over the field,
Without burning.
In such times, lacking a god,
I am still happy.