In the dark I rest,
unready for the light which dawns
day after day,
eager to be shared.
Black silk, shelter me.
I need
more of the night before I open
eyes and heart
to illumination. I must still
grow in the dark like a root
not ready, not ready at all.

You have come to the shore. There are no instructions.

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It's when we face for a moment the worst our kind can do, and shudder to know the taint in our own selves, that awe cracks the mind's shell and enters the heart.

"I thought I was growing wings — it was a cocoon.

I thought, now is the time to step
into the fire — it was deep water.

Eschatology is a word I learned
as a child: the study of Last Things;

facing my mirror — no longer young,
the news — always of death,
the dogs — rising from sleep and clamoring
and howling, howling....

("Seeing For a Moment")"

Wear scarlet! Tear the green lemons
off the tree! I don't want
to forget who I am, what has burned in me,
and hang limp and clean, an empty dress -

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Yes, he is here in this
open field, in sunlight, among
the few young trees set out
to modify the bare facts — he's here, but only
because we are here.
When we go, he goes with us

to be your hands that never
do violence, your eyes
that wonder, your lives

that daily praise life
by living it, by laughter.

He is never alone here,
never cold in the field of graves.

The Avowal

As swimmers dare
to lie face to the sky
and water bears them,
as hawks rest upon air
and air sustains them;
so would I learn to attain
freefall, and float
into Creator Spirit's deep embrace,
knowing no effort earns
that all-surrounding grace.

Days pass when I forget the mystery.
Problems insoluble and problems offering
their own ignored solutions
jostle for my attention, they crowd its antechamber
along with a host of diversions, my courtiers, wearing
their colored clothes; caps and bells.
And then
once more the quiet mystery
is present to me, the throng's clamor
recedes: the mystery
that there is anything, anything at all,
let alone cosmos, joy, memory, everything,
rather than void: and that, 0 Lord,
Creator, Hallowed one, You still,
hour by hour sustain it.

Trying to remember old dreams. A voice. Who came in.
And meanwhile the rain, all day, all evening,
quiet steady sound. Before it grew too dark
watched the blue iris leaning under the rain,
the flame of the poppies guttered and went out.
A voice. Almost recalled. There have been times
the gods entered. Entered a room, a cave?
A long enclosure where I was, the fourth wall of it
too distant or too dark to see. The birds are silent,
no moths at the lit windows. Only a swaying rosebush
pierces the table’s reflection, raindrops gazing from it.
There have been hands laid on my shoulders.
What has been said to me,
how has my life replied?
The rain, the rain...

But for us the road unfurls itself, we don't stop walking, we know there is far to go.

"Fire he sang,
that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
As though his lyre (now I knew its name)
were both frost and fire, its chords flamed
up to the crown of me.
I was seed again.
I was fern in the swamp.
I was coal.

("A Tree Telling of Orpheus")"

The poem has a social effect of some kind whether or not the poet wills it to have. It has a kenetic force, it sets in motion...elements in the reader that would otherwise remain stagnant.