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" "The work of the sculptors of my age & somewhat older – Brancusi – Arp – Lipschitz – Laurens – Giacometti – has gradually approached a freedom & moved into space, compared with the sculptors of earlier period – Rodin – Maillol [. And] & the young sculptors of today all have the tendency to work with space – to model rather than carve – but it is very necessary in my opinion to have been able to get the refinement & completeness of a single form before going on to space form with no body -
Henry Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist and sculptor, best known for his monumental bronzes, which combined abstract art and Surrealism, as Moore frequently declared himself. He is famous for his many large sculptures, located worldwide as public works of art.
Biography information from Wikiquote
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The disturbing quality of life goes hand in hand with the disturbing quality of our time. The temporal emphasizes the perpetual.. .I willingly accept what I try to bring together. In the heads of my 'King and Queen' (Moore created in 1952/53] or in the head and the body of my 'Warrior' [1953/54], some mixture of degrees of realism is implicit. But we got used to this mixture in Chartres [the famous Gothic cathedral], and we shall get used to it again. I do not suggest that I have intentionally done it.. .It is just that in the head part I could focus, in essence, the intention of the entire figure.. .By contrasting the head to the natural structure of the rest, the whole idea of the figure is pointed out – it is these contrasts which do it.
Actually Rogers Fry's Vision and Design was the most lucky discovery for me. I came on it by chance while looking for another book in the Leeds Reference Library. Fry in his essay on 'Negro Sculpture' stressed the 'three-dimensional realization' that characterized African art and its 'truth to material'. More, Fry opened the way to other books and to the realization of the British museum. That was really the beginning.
I have always paid great attention to natural forms, such as bones, shells, and pebbles, etc. Sometimes for several years running I have been to the same part of the seashore – but each year a new shape of pebble has caught my eye, which the year before, though it was there in hundreds, I never saw... Pebbles show Nature's way of working stone. Some of the pebbles I pick up have holes right through them.. .A piece of stone can have [for the sculptor] a hole through it and not be weakened – if the hole is of a studied size, shape and direction. On the principle of the arch, it can remain just as strong.