I like Godzilla as much as the next guy. No, I like Godzilla more than the next guy! Since I was a little kid, I watched all those absurd rubber-suit… - Aron Ra

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I like Godzilla as much as the next guy. No, I like Godzilla more than the next guy! Since I was a little kid, I watched all those absurd rubber-suit movies thinking how cool it would be if we remade Gojira as a big budget block-buster. They failed to do that in 1985, when they brought back Raymond Burr. They failed to do that in 1998, with Tristar’s GINO (Godzilla In Name Only) and I’m sorry to say that they failed again with the latest attempt.

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About Aron Ra

L. Aron Nelson (born October 15, 1962), known professionally as Aron Ra, is the Texas state director of the American Atheists, host of the Ra-Men Podcast, a public speaker, video producer, blogger, and vlogger.

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Having actually read all of the Commandments listed from Exodus 20 through Exodus 34 (and many of the other Commandments strewn about the Old Testament), it is obvious that anyone who uses them as a moral guide would be a criminal in every country on this planet. The Bible does not promote morality; it only commands obedience to an amoral, oppressive and unjustly enforced belief system.

People that make up stuff and call it truth have the power to imagine all kinds of nonsense. But that’s what it is all about. It really is make believe, and it took me the longest time to figure that out. I thought, honestly, naively, even into middle age. I was in my 30s before I realised there were some people who do not believe what they do for a reason.

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I think that the best science fiction is where the story is fiction but the science is real, or at least as real as possible. If you’re going to write a good sci-fi, and you want me to believe the one wholly implausible idea that your story is about, then every other aspect of the film should be as seemingly reasonable as it possibly can be. That’s what Jurassic Park tried to do. If I am to believe that an impossibly huge reptilian monster is destroying the city, then the back story of it’s origin ought to sound realistic enough to counter-balance that. That’s what the first Godzilla movie tried to do. After that, filmmakers adopted the opposite strategy; so that everything else in the subsequent sequels had so many outrageous absurdities, each so insanely stupid, that the monster in the middle was the most reasonable element by comparison.

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