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Mrs Touchett was certainly a person of many oddities, of which her behaviour on returning to her husband's house after many months was a noticeable specimen. She had her own way of doing all that she did, and this is the simplest description of a character which, although by no means without liberal motions, rarely succeeded in giving an impression of suavity.

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Mr Touchett used to think that she reminded him of his wife when his wife was in her teens. It was because she was fresh and natural and quick to understand, to speak – so many characteristics of her niece – that he had fallen in love with Mrs Touchett.

And then she began to think about Lady Glencora herself. What a strange, weird nature she was, — with her round blue eyes and wavy hair, looking sometimes like a child and sometimes almost like an old woman! And how she talked! What things she said, and what terrible forebodings she uttered of stranger things that she meant to say!

She was the most wonderful woman for prowling about the house. How she got from one story to another was a mystery beyond solution. A lady so decorous in herself, and so highly connected, was not to be suspected of dropping over the banisters or sliding down them, yet her extraordinary facility of locomotion suggested the wild idea.

[On Margaret Thatcher] She was a bizarre character. She was one of the most unlikely human beings I ever met.
If you'd told me that this woman would become Prime Minister, I mean no dislike of her at all, I'd have thought that was ridiculous.

She walked rather quickly; she liked to be active, though at times she gave an impression of repose that was at once static and evocative. This was because she knew few words and believed in none, and in the world she was rather silent, contributing just her share of urbane humor with a precision that approached meagreness. But at the moment when strangers tended to grow uncomfortable in the presence of this economy she would seize the topic and rush off with it, feverishly surprised with herself — then bring it back and relinquish it abruptly, almost timidly, like an obedient retriever, having been adequate and something more.

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She was a woman with a broom or a dust-
pan or a washrag or a mixing spoon in her hand. You saw
her cutting piecrust in the morning, humming to it, or you
saw her setting out the baked pies at noon or taking them in,
cool, at dusk. She rang porcelain cups like a Swiss bell ringer
to their place. She glided through the halls as steadily as a
vacuum machine, seeking, finding, and setting to rights. She
made mirrors of every window, to catch the sun. She strolled
but twice through any garden, trowel in hand, and the flowers
raised their quivering fires upon the warm air in her wake.
She slept quietly and turned no more than three times in a
night, as relaxed as a White glove to which, at dawn, a brisk
hand will return. Waking, she touched people like pictures,
to set their frames straight.

[Of Mrs Worboys in One Foot In The Grave] She always wanted to help and meant well all the time. It's just that she was tactless and not very bright, although occasionally she'd have these strange streaks of knowledge, like the time she knew all the answers while playing Trivial Pursuit.

He saw that she treated her marriage to his father as a relentless challenge, an unending struggle under adverse conditions to get her own way. At first this manifested itself only in the naming of her children, but lately, as she had come to know her enemy, or as he had grown more senile and eccentric, evidence of her own personality long-suppressed came increasingly to the fore.

In private life she was not in the least what her calumniators would have wished her to be. She was very quiet, had a great natural dignity, and was extremely intelligent. She was also exceedingly sensitive.

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