My friends, the apples that I love for their delightful red, yellow, mauve and green clothing cease to be apples for me when I see them against this … - Alexej von Jawlensky

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My friends, the apples that I love for their delightful red, yellow, mauve and green clothing cease to be apples for me when I see them against this or that background, in such or such surroundings.. .And they resound in my sight like a music, reproducing this or that mood of my soul, this or that fleeting contact with the soul of things.. .To reproduce the things which exist without being, to reveal them to other people, by passing them through my sympathetic understanding, by revealing them in the passion I feel for hem, that is the goal of my artistic existence. To me apples, trees, human faces are not more than hints as to what else I should seen in them: the life of colour, comprehended by a passionate lover.

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About Alexej von Jawlensky

Alexej Georgewitsch von Jawlensky (March 13, 1864 – March 15, 1941) was a Russian Expressionist painter active in Germany, Munich in the 'Blaue Reiter / Blue Rider' and after 1914 in Switzerland, together with Marianne von Werefkin, many years his life-companion, till 1921.

Also Known As

Alternative Names: a. jawlenski alexis von jawlensky a. v. jawlensky Aleksey Yavlensky a. jawlensky Alexej Jawlensky Aleksei Von Javlensky Alexei von Jawlensky Aleksej Jawlensky Alexis Jawlensky Alexej von Alex von Jawlensky Jawlensky Alexis Alexej Von Jawlensky Alexei Jawlensky Aleksei Von Jawlensky Alexej von Iavlenski Aleksey Georgevich Yavlensky Alexey Jawlensky andre jawlensky Alexej Georgewitsch von Jawlensky Алексей Георгиевич Явленский
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Additional quotes by Alexej von Jawlensky

Every artist works within a tradition. I am a native of Russia. My Russian soul has always been close to the art of old Russia, the Russian icons, Byzantine art, the mosaics in Ravenna, Venice, Rome, and to Romanesque art. All these artworks produced a religious vibration in my soul, as I sensed in them a deep spiritual language. This art was my tradition.

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I painted these 'Variations' [of landscapes] for some years and then I found it necessary to find form for the face, because I had come to understand that great art can only be painted with religious feeling. And that, I could only bring to the human face. I understood that the artist must express through his art, in forms and colours, the divine in him. Therefore a work of art is God made visible and art is 'a longing for God'.
I painted 'faces' for many years. I sat in my studio and painted, and I did not need nature to prompt me. It was enough for me to immerse myself in myself, to pray and prepare my soul to attain a religious state..

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