Moralists and philosophers (I mean true philosophers like Marcus Aurelius and Jesus Christ) never talked politics, they considered their subject only… - Eugène Delacroix

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Moralists and philosophers (I mean true philosophers like Marcus Aurelius and Jesus Christ) never talked politics, they considered their subject only from the human standpoint. Equal rights and other such vain imaginings were not their concern; all that they enjoined upon mankind was resignation to fate...to the constant need to submit to the harsh decrees of nature- a need which no one can deny and no philanthropist can overcome. They asked nothing more of the sage than that he conform to the laws of nature and play his part in his appointed place amidst a general harmony. Illness, death, poverty, spiritual suffering, these are with us always and will torment us under any form of government; democracy or monarchy, it makes no odds. (20 February 1847)

English
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About Eugène Delacroix

Eugène Delacroix (April 26 1798 – August 13 1863) was a French painter, one of the leading artists of Romanticism in Europe of the nineteenth century.

Biography information from Wikiquote

Also Known As

Alternative Names: Ferdinand Victor Eugène Delacroix Ferdinand-Victor-Eugène Delacroix Ferdinand-Victor-Eugene Delacroix Eugene Delacroix Ferdinand-Eugène-Victor Delacroix Ferdinand Victor Eugene Delacroix Ferdinand-Eugene-Victor Delacroix Delacroix
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Additional quotes by Eugène Delacroix

A mere cast taken from nature will always be more real than the best copy a man can produce, for can anyone conceive that an artist’s hand is not guided by his mind…his strange task will not be tinged with the colour of his spirit?...For the word realism to have any meaning all men would need to be of the same mind and to conceive things in the same way. For what is the supreme purpose of every form of art if it be not the effect? (22 February 1860)

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We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.

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