"It's public knowledge. It's not my problem you just found out," his mother is saying, pacing double-time down a West Wing corridor. "You mean to tel… - Casey McQuiston

"It's public knowledge. It's not my problem you just found out," his mother is saying, pacing double-time down a West Wing corridor. "You mean to tell me," Alex half shouts, jogging to keep up, "every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers' dime?"
"Yes, Alex, they do-"
"Gross government waste!"
"-and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys."
Without missing a beat, he blurts out, "Bring them to the house."
"Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?"
"Put them in my room. I don't care."
She outright laughs. "No."
"How is it different from a hotel room? Put the turkeys in my room, Mom."
"I'm not putting turkeys in your room."
"Put the turkeys in my room."
"No."
"Put them in my room, put them in my room, put them in my room, put them in my room-"
That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets.

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About Casey McQuiston

Casey McQuiston (born January 21, 1991) is an American author of romance novels in the new adult fiction genre, best known for their New York Times best-selling debut novel Red, White & Royal Blue, in which the son of America's first female president falls in love with a prince of England, and sophomore book One Last Stop.

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Additional quotes by Casey McQuiston

Outside Kensington Palace, Alex takes Henry's phone out of his hand and swiftly opens a blank contact page before he can protest or sic a PPO on him for violating royal property. The car is waiting to take him back to the royals' private airstrip. "Here," Alex says. "That's my number. If we're gonna keep this up, it's going to get annoying to keep going through handlers. Just text me. We'll figure it out." Henry stares at him, expression blankly bewildered, and Alex wonders how this guy has any friends. "Right," Henry says. "Thank you." "No booty calls," Alex tells him, and Henry chokes on a laugh.

She tosses the magazine aside, folding her arms on the table. "Please, tell me another joke," Ellen says. "I want so badly for you to explain to me how this is funny." Alex opens his mouth and closes it a couple of times. "He started it," he says finally. "I barely touched him- and he's the one who pushed me, and I only grabbed him to try and catch my balance and-" "Sugar, I cannot express to you how much the press does not give a fuck about who started what," Ellen says. "As your mother, I can appreciate that maybe this isn't your fault, but as the president, all I want is to have the CIA fake your death and ride the dead-kid sympathy into a second term."

You listen to me," she says. Her jaw is set, ironclad. It's the game face he's seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. "I am your mother. I was your mother before I was ever the president, and I'll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you're serious about this, I'll back your play."
Alex is silent. But the debates, he thinks. But the general. Her gaze is hard. He knows better than to say either of those things. She'll handle it. "So," she says, "Do you feel forever about him?" And there's no room left to agonize over it, nothing left to do but say the thing he's known all along. "Yeah," he says, "I do." Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, flattering one she never uses in public, the one he knows best from when he was a kid around her knees in a small kitchen in Travis County. "Then, fuck it.

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