The key to understanding Crowley is the same as the key to understanding the Marquis de Sade. Both wasted an immense amount of energy screaming defia… - Colin Wilson

No art can be judged by purely aesthetic standards, although a painting or a piece of music may appear to give a purely aesthetic pleasure. Aesthetic enjoyment is an intensification of the vital response, and this response forms the basis of all value judgements. The existentialist contends that all values are connected with the problems of human existence, the stature of man, the purpose of life. These values are inherent in all works of art, in addition to their aesthetic values, and are closely connected with them.

If space in infinite, how about the space inside man? Blake said that eternity opens from the center of an atom. My former terror vanished. Now I saw that I was mistaken in thinking of myself as an object in a dead landscape. I had been assuming that man is limited because his brain is limited, that only so much can be packed into the portmanteau. But the spaces of the mind are a new dimension. The body is a mere wall between two infinities. Space extends to infinity outwards; the mind stretches to infinity inwards.

It was the normal working of the antisuccess mechanism. In our overcrowded modern world a hit record, a best-selling book, a successful film, can reach more people in a week than Shakespeare or Beethoven reached in a whole lifetime. And so fame has become the most romantic, the most desirable of all commodities, the dream for which a modern Faust might sell his soul to the Devil. Once attained, fame is never as easy to hold on to as some people believe. The people who achieve fame by some accident of fashion are usually forgotten within a week; the ones who remain on top have to work to stay there. But few people understand this. The result is that anyone who achieves sudden notoriety arouses envy and hostility. The greater the success, the greater the reaction.